THEA104 Study Guide - Midterm Guide: Julie Taymor, Anton Chekhov, Konstantin Stanislavski
29 Mar 2017
School
Department
Course
Professor
Document Summary
Communication transfer of information, opinions, ideas via all of the senses: sight: viewing performance, hearing: speaking roles, music, smell: food, sex, taste: good vs. bad taste in production, touch: interactive actors; emotionally touched. Collaboration (collection of skills) with a predetermined structure: interactive storytelling, actors, scenery, audience. Live in the present tense: audience is unaware of what will happen next, cannot rewind or fast-forward, audience sees everything as it occurs. Thea 104 study guide exam # 1 spring 2015 fantastic tale, reader would suspend judgment regarding unlikelihood of the narrative. a. i. Usually applies to fictional works of action, comedy, fantasy, horror: 4 th wall imaginary wall at the front of the stage in a theatre audience sees production in the world of the play. b. i. Breaking the 4th wall : character acknowledges audience: aside character speaks to audience and other characters on stage cannot hear what the character is saying to the audience. c. i.
