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[MUAR 392] - Final Exam Guide - Everything you need to know! (65 pages long)
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Lecture 2: pop before 1950 tin pan alley and big band swing: popular music is not as clear as classical music in regards to who deserves credit for som
View DocumentMUAR 392- Final Exam Guide - Comprehensive Notes for the exam ( 96 pages long!)
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Lecture 2: pop before 1950 tin pan alley and big band swing: popular music is not as clear as classical music in regards to who deserves credit for som
View Document[MUAR 392] - Final Exam Guide - Everything you need to know! (128 pages long)
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Muar392 gospel music, r&b lecture notes strategies in black music to crossover into popular white music. Minstrel depiction na ve looking rationalizing
View DocumentMUAR 392- Midterm Exam Guide - Comprehensive Notes for the exam ( 33 pages long!)
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In the playboy interview, what does bowie have to say about the nature of his true identity: i am my own medium. (notion of the self as artwork, i hone
View DocumentMUAR 392 Study Guide - Midterm Guide: Essentialism, Berry Gordy, Brian Epstein
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Many styles emerged from increasing immigrants in new york. Typical form: intro, vamp, 2 verses, chorus (aaba) polyrhythm: complex division of beats (o
View DocumentMUAR 392 Study Guide - Midterm Guide: Chuck Berry, Blues Rock, Alan Freed
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Margins (defined anticipated listenership): black music/r&b (african americans), country (southern, rural white audience) Pre 1920, industry almost exc
View DocumentMUAR 392 Study Guide - Final Guide: Thank You (Falettinme Be Mice Elf Agin), Punk Visual Art, Post-Punk
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Funk: a genre of popular music developed in the mid-late 1960s with an explicitly political component, linked to black nationalism and black power move
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ECON 352D1 Lecture Notes - Lecture 4: Macroeconomic Model, Risk Aversion, Profit Maximization
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ECON 352D1 Lecture Notes - Lecture 6: Intertemporal Consumption, Real Interest Rate, Intertemporal Choice
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ECON 352D1 Lecture Notes - Lecture 10: Gdp Deflator, Real Interest Rate, Factors Of Production
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ECON 352D1 Lecture Notes - Lecture 5: Intertemporal Choice, Real Interest Rate, Consumption Smoothing
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MUAR 392 Lecture Notes - Lecture 1: Cultural Appropriation, Timpani, Chess Records
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Muar392 gospel music, r&b lecture notes strategies in black music to crossover into popular white music. Minstrel depiction na ve looking rationalizing
View DocumentMUAR 392 Lecture Notes - Lecture 3: Essentialism, Duple And Quadruple Metre, Race Record
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Rise in popularity of country music: late 30s: if you were a musician and wanted to get paid, had to belong to an organization that secured royalties.
View DocumentMUAR 392 Lecture Notes - Lecture 8: Tommy Ramone, Iggy Pop, Subway Sect
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Finish punk: michigan band 1967-1974, proto-punk band known for shocking performances involving heavy distortion, stage. Iggy pop, dave alexander, ron/
View DocumentMUAR 392 Lecture Notes - Lecture 17: Real Change, Le Freak, Falsetto
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The dialectic of disco: ***exam: in his village voice article, how does andrew kopkind portray the relationship between disco and rock cultures, rock=a
View DocumentMUAR 392 Lecture Notes - Lecture 9: Junior Walker, Nina Simone, Mississippi Goddam
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Spiritual fervour to secular themes : before sam cook, there was a fairly divided division of labour a lot of the executive decisions were made by corp
View DocumentMUAR 392 Lecture Notes - Bessie Smith, Cultural Capital, Fisk Jubilee Singers
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Melodies: diatonic (vs. chromatic) with vocal range of an octave or less. Harmony: simple, tonal, triadic with (over time) increasing use of added. Swe
View DocumentReading Notes.docx
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Chapter 1 irving berlin in tin pan alley. Most 19th cen, popular song publishing was built around sheet music trade for home performers. Organizers suc
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[MUAR 392] - Final Exam Guide - Everything you need to know! (128 pages long)
17
Muar392 gospel music, r&b lecture notes strategies in black music to crossover into popular white music. Minstrel depiction na ve looking rationalizing
View DocumentMUAR 392 Study Guide - Midterm Guide: Chuck Berry, Blues Rock, Alan Freed
17
Margins (defined anticipated listenership): black music/r&b (african americans), country (southern, rural white audience) Pre 1920, industry almost exc
View Document[MUAR 392] - Final Exam Guide - Everything you need to know! (65 pages long)
0
Lecture 2: pop before 1950 tin pan alley and big band swing: popular music is not as clear as classical music in regards to who deserves credit for som
View DocumentMUAR 392 Study Guide - Final Guide: Thank You (Falettinme Be Mice Elf Agin), Punk Visual Art, Post-Punk
17
Funk: a genre of popular music developed in the mid-late 1960s with an explicitly political component, linked to black nationalism and black power move
View DocumentMUAR 392- Midterm Exam Guide - Comprehensive Notes for the exam ( 33 pages long!)
0
In the playboy interview, what does bowie have to say about the nature of his true identity: i am my own medium. (notion of the self as artwork, i hone
View DocumentMUAR 392- Final Exam Guide - Comprehensive Notes for the exam ( 96 pages long!)
0
Lecture 2: pop before 1950 tin pan alley and big band swing: popular music is not as clear as classical music in regards to who deserves credit for som
View DocumentReading Notes.docx
77
Chapter 1 irving berlin in tin pan alley. Most 19th cen, popular song publishing was built around sheet music trade for home performers. Organizers suc
View DocumentMUAR 392 Study Guide - Midterm Guide: Essentialism, Berry Gordy, Brian Epstein
76
Many styles emerged from increasing immigrants in new york. Typical form: intro, vamp, 2 verses, chorus (aaba) polyrhythm: complex division of beats (o
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MUAR 392 Lecture Notes - Lecture 3: Nat King Cole, Country Music, Blues
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Hillbilly and race music to the blues and country. Male singers with close, (smooth) sentimental style, singing with full swing band or piano: cinemati
View DocumentMUAR 392 Lecture Notes - Lecture 3: Big Mama Thornton, Double Standard, Scotty Moore
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Muar 392 - sep 13 - r&b and ea ly rock (cid:342)n(cid:342) roll. J mp bl e": kind of evolve" o of olde fo m" of bl e", and even ally "e le" on an in" m
View DocumentMUAR 392 Lecture Notes - Lecture 3: Ragtime, Over The Rainbow, Black Body
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Muar 392 - sep 6 - tin pan alley, big band & swing m sic, and he crooners. Wha i" tin pan alley? (pa aph a"ed f om prs 1 in o) Fo mo" of he 19 h cen y
View DocumentMUAR 392 Lecture Notes - Lecture 5: Alternate Picking, Justice Of The Peace, Folsom Prison Blues
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White performer making big money by songs created by black artists. Big ma(cid:373)a(cid:859)s (cid:448)e(cid:396)sio(cid:374) is groovier, hand clap,
View DocumentMUAR 392 Lecture Notes - Lecture 4: African-American Music, Disposable And Discretionary Income, Tympany Five
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Go pel, &b, and the bi th of ock (cid:858)n(cid:859) oll. Like (cid:862)(cid:396)a(cid:272)e,(cid:863) &b (cid:449)as a (cid:449)ide-ranging category a
View DocumentMUAR 392 Lecture Notes - Lecture 6: Bummed, Where Did Our Love Go, Judy Collins
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The urban folk revival and folk rock: understand the context for the founding of motown and the aims / philosophy of its founder berry gordy, recognize
View DocumentMUAR 392 Lecture Notes - Lecture 3: Patsy Montana, Hobo, Telling Stories
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Hillbilly and race music to the blues and country. Male singers with close, (smooth) sentimental style, singing with full swing band or piano: cinemati
View DocumentMUAR 392- Final Exam Guide - Comprehensive Notes for the exam ( 96 pages long!)
0
Lecture 2: pop before 1950 tin pan alley and big band swing: popular music is not as clear as classical music in regards to who deserves credit for som
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