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U REGINAFILM100Phillippe MatherFall

FILM100 Study Guide - Comprehensive Final Exam Guide - Long Shot, Soviet Montage Theory, Sergei Eisenstein

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Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
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U REGINAFILM100Phillippe MatherFall

FILM 100 Study Guide - Fall 2018, Comprehensive Midterm Notes - Long Shot, Dan Simmons, Cant Architecture

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Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
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U REGINAMATH101AllFall

M101-201330

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U REGINASTAT200AllSummer

Final Exam Summer 2015

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Show all of your work on the exam paper. [8: a local county is considering a budget proposal that would allocate extra funding toward the renovation of
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U REGINAMATH102AllFall

Final Exam Fall 2017

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Full credit is awarded only for well-presented, correct solutions in which all your work is shown. Your solution and final answer should appear on the
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U REGINAMATH101AllFall

M101-201330-practice1

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Each pig has 4 legs and one head. Each chicken has 2 legs and one head. If 10% tax is calculated after the discount, how much will the couch cost: the
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U REGINAMATH122AllFall

Final Exam Fall 2016

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Instructor: (cid:3) chun-hua guo (001) (cid:3) paul arnaud tsopmene (003) (cid:3) shuchita sharma (l01) Instructions: full credit is awarded only for w
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U REGINAMATH122AllWinter

Final Exam Winter 2018

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Instructor: (cid:3) chun-hua guo (001) (cid:3) vijayaparvathy agasthian (c01/02) Instructions: full credit is awarded only for well-presented, correct
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U REGINASTAT100AllWinter

Final Exam Winter 2017

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U REGINAMATH103AllFall

Final Exam Fall 2017

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U REGINAMATH101AllFall

M101-201330-practice2

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U REGINASTAT100AllWinter

Final Exam Winter 2015

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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 2: Academy Ratio, Long Shot, Color Photography

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Basic film terms: framing the image aspect ratios: standard academy ratio & widescreen ratios. Back when films were played on 4 by 3 screens it cut of
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 1: Long Shot, Science Fiction Film, Tracking Shot

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Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 6: Establishing Shot, Continuity Editing, Eyeline Match

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Four types of relations between 2 shots: graphic, refers to similarity or contrast between 2 shots to make continuity or context, rhythmic, the number
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 4: Time Complexity, Multiple Choice, Whodunit

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Development: conflicts, obstacles, disequilibrium (takes up 70 % of film time. Conclusion: resolution, closure, equilibrium (characters have grown, usu
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 3: Diegesis, Smoke Signal, Traffic Reporting

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Narrative is one of the most challenging topic we"ll discuss. A chain of events in cause effect relationship occurring in time and space. Sometimes sti
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 5: Zoom Lens, Optical Printer

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Production versus reception: five basic types : Aesthetic effects of camera movements: narrative functions of camera movements. Sense of movement witho
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture 9: November 1st, expressionist mise-en-scene

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1)lighting: 4 diff lighting properties: quality, direction, source and colour: three-point lighting system: key, fill, backlight. 4)german expressionis
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 7: Jump Cut, Continuity Editing, Soviet Montage Theory

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The entire thing behind discontinuity editing was opposite to continuity editing in hollywood (flowing nicely) discontinuity tried to switch that. Maki
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U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 8: Mise-En-Scène, Bicycle Thieves, Sunlight

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Class 8: definition of mise en scene, 4 aspects of realism, andre bazin theory of realism in film, the italian neorealist film movement, break, bicycle
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U REGINAFILM100Phillippe MatherFall

FILM100 Study Guide - Comprehensive Final Exam Guide - Long Shot, Soviet Montage Theory, Sergei Eisenstein

OC252253936 Page
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Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 2: Academy Ratio, Long Shot, Color Photography

OC25225394 Page
0
Basic film terms: framing the image aspect ratios: standard academy ratio & widescreen ratios. Back when films were played on 4 by 3 screens it cut of
View Document
U REGINAFILM100Phillippe MatherFall

FILM 100 Study Guide - Fall 2018, Comprehensive Midterm Notes - Long Shot, Dan Simmons, Cant Architecture

OC252253918 Page
0
Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 1: Long Shot, Science Fiction Film, Tracking Shot

OC25225393 Page
0
Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 6: Establishing Shot, Continuity Editing, Eyeline Match

OC25225393 Page
0
Four types of relations between 2 shots: graphic, refers to similarity or contrast between 2 shots to make continuity or context, rhythmic, the number
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 4: Time Complexity, Multiple Choice, Whodunit

OC25225395 Page
0
Development: conflicts, obstacles, disequilibrium (takes up 70 % of film time. Conclusion: resolution, closure, equilibrium (characters have grown, usu
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 3: Diegesis, Smoke Signal, Traffic Reporting

OC25225394 Page
0
Narrative is one of the most challenging topic we"ll discuss. A chain of events in cause effect relationship occurring in time and space. Sometimes sti
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 5: Zoom Lens, Optical Printer

OC25225392 Page
0
Production versus reception: five basic types : Aesthetic effects of camera movements: narrative functions of camera movements. Sense of movement witho
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture 9: November 1st, expressionist mise-en-scene

OC25225395 Page
0
1)lighting: 4 diff lighting properties: quality, direction, source and colour: three-point lighting system: key, fill, backlight. 4)german expressionis
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 7: Jump Cut, Continuity Editing, Soviet Montage Theory

OC25225392 Page
0
The entire thing behind discontinuity editing was opposite to continuity editing in hollywood (flowing nicely) discontinuity tried to switch that. Maki
View Document

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U REGINAFILM100Phillippe MatherFall

FILM100 Study Guide - Comprehensive Final Exam Guide - Long Shot, Soviet Montage Theory, Sergei Eisenstein

OC252253936 Page
0
Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture 9: November 1st, expressionist mise-en-scene

OC25225395 Page
0
1)lighting: 4 diff lighting properties: quality, direction, source and colour: three-point lighting system: key, fill, backlight. 4)german expressionis
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 8: Mise-En-Scène, Bicycle Thieves, Sunlight

OC25225396 Page
0
Class 8: definition of mise en scene, 4 aspects of realism, andre bazin theory of realism in film, the italian neorealist film movement, break, bicycle
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 7: Jump Cut, Continuity Editing, Soviet Montage Theory

OC25225392 Page
0
The entire thing behind discontinuity editing was opposite to continuity editing in hollywood (flowing nicely) discontinuity tried to switch that. Maki
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 6: Establishing Shot, Continuity Editing, Eyeline Match

OC25225393 Page
0
Four types of relations between 2 shots: graphic, refers to similarity or contrast between 2 shots to make continuity or context, rhythmic, the number
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 5: Zoom Lens, Optical Printer

OC25225392 Page
0
Production versus reception: five basic types : Aesthetic effects of camera movements: narrative functions of camera movements. Sense of movement witho
View Document
U REGINAFILM100Phillippe MatherFall

FILM 100 Study Guide - Fall 2018, Comprehensive Midterm Notes - Long Shot, Dan Simmons, Cant Architecture

OC252253918 Page
0
Films shown: a trip to the moon, the great train robbery and lumiere brothers short films. Lots of memorizing, focus on techniques during showings, fil
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 4: Time Complexity, Multiple Choice, Whodunit

OC25225395 Page
0
Development: conflicts, obstacles, disequilibrium (takes up 70 % of film time. Conclusion: resolution, closure, equilibrium (characters have grown, usu
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 3: Diegesis, Smoke Signal, Traffic Reporting

OC25225394 Page
0
Narrative is one of the most challenging topic we"ll discuss. A chain of events in cause effect relationship occurring in time and space. Sometimes sti
View Document
U REGINAFILM100Phillippe MatherFall

FILM100 Lecture Notes - Lecture 2: Academy Ratio, Long Shot, Color Photography

OC25225394 Page
0
Basic film terms: framing the image aspect ratios: standard academy ratio & widescreen ratios. Back when films were played on 4 by 3 screens it cut of
View Document

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