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UOTTAWAARB 3101May TelmissanyWinter

ARB3101 Quiz: First Quiz Review

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18 Jan 2017
Roy armes, arab filmmakers of the middle east: a dictionary, indiana university press, This chapter talks about the arab filmmakers originating from th
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ARB 2101 Midterm: Arabic Culture Midterm - Exact Questions

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20 Nov 2018
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UOTTAWAWinter

BIO 1140 Lecture Notes - Lecture 8: Endoplasmic Reticulum, Golgi Apparatus, Semipermeable Membrane

1 Page
29 Jan 2020
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UOTTAWAWinter

BIO 1140 Lecture Notes - Lecture 6: Venn Diagram, Mnemonic, Prokaryote

2 Page
29 Jan 2020
Amoeba sisters video recap: prokaryotic vs. eukaryotic cells: the boxes below represent the three domains that all organisms can be classified in: bact
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UOTTAWAWinter

BIO 1140 Lecture 2: CellMembraneTransportMindMap_NOsolutions

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29 Jan 2020
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UOTTAWAWinter

BIO 1140 Lecture Notes - Lecture 5: Cell Membrane, Cell Theory, Eukaryote

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29 Jan 2020
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UOTTAWAWinter

BIO 1140 Lecture 7: Animal Cell Labeling

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29 Jan 2020
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MUS 1303 Midterm: 64 Chord practice_ANSWERS

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28 Jan 2020
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UOTTAWAWinter

BIO 1140 Lecture Notes - Lecture 1: Lipid Bilayer, Passive Transport, Exocytosis

2 Page
29 Jan 2020
___________________________________________________: circle the statements below that would be true about simple diffusion. It is a form of passive tra
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MUS 1303 Midterm: 64 Chord practice

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28 Jan 2020
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UOTTAWAWinter

BIO 1140 Lecture 3: Transport Across the Cell Membran Exercise

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29 Jan 2020
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 1: Arab Cinema

1 Page
12 Feb 2017
First arab cinema screening was in 1896. Before that, attempts were made in north america and europe to invent a machine that would deconstruct and rec
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 13: Walter Salles, Social Inequality, Briey

3 Page
12 Feb 2017
There are many ways to move a camera: in uid long takes, rapid and confusing motions, etc. that establish the rhythm and point of view of a scene. a lm
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Cinema Of Egypt

1 Page
12 Feb 2017
1895 when the audience gets scared because they thought a train was coming out of the screen. 1930-1940= golden era of egyptian cinema/ invention of st
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 10: Darker Image, Brian Helgeland, Telephoto Lens

4 Page
12 Feb 2017
This section explores some of the elements at play in the construction of a shot. As the critics at cahiers du cin ma maintained, the how is as importa
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 11: Peking Opera Blues, Stanley Kubrick, Edward Yang

3 Page
12 Feb 2017
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 5: Stop Motion, Shallow Focus, Frame Rate

1 Page
12 Feb 2017
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Zine El Abidine Ben Ali, Nouri Bouzid, Habib Bourguiba

3 Page
13 Mar 2017
Mou da tlatli"s the silences of the palace (1994) * before the 7th century tunisia was a part of larger civilizations. * in the 15th century spanish mu
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 14: Medium Shot, Establishing Shot

1 Page
12 Feb 2017
A shot is a series of frames that runs for a speci c period of time, without interruption. Each second of lm is usually made of 24 frames. Shot length
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Nacer Khemir, Al-Farabi, Baruch Spinoza

2 Page
13 Mar 2017
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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 12: Zoom Lens, Majid Majidi, Long Shot

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12 Feb 2017
If the same object were lmed at different shot scales it would often signify quite differently. Shot scale can foster intimacy with a character, or con
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UOTTAWAARB 3101May TelmissanyWinter

ARB3101 Quiz: First Quiz Review

3 Page
18 Jan 2017
Roy armes, arab filmmakers of the middle east: a dictionary, indiana university press, This chapter talks about the arab filmmakers originating from th
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 1: Arab Cinema

1 Page
12 Feb 2017
First arab cinema screening was in 1896. Before that, attempts were made in north america and europe to invent a machine that would deconstruct and rec
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 13: Walter Salles, Social Inequality, Briey

3 Page
12 Feb 2017
There are many ways to move a camera: in uid long takes, rapid and confusing motions, etc. that establish the rhythm and point of view of a scene. a lm
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Cinema Of Egypt

1 Page
12 Feb 2017
1895 when the audience gets scared because they thought a train was coming out of the screen. 1930-1940= golden era of egyptian cinema/ invention of st
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 10: Darker Image, Brian Helgeland, Telephoto Lens

4 Page
12 Feb 2017
This section explores some of the elements at play in the construction of a shot. As the critics at cahiers du cin ma maintained, the how is as importa
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 11: Peking Opera Blues, Stanley Kubrick, Edward Yang

3 Page
12 Feb 2017
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 5: Stop Motion, Shallow Focus, Frame Rate

1 Page
12 Feb 2017
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Zine El Abidine Ben Ali, Nouri Bouzid, Habib Bourguiba

3 Page
13 Mar 2017
Mou da tlatli"s the silences of the palace (1994) * before the 7th century tunisia was a part of larger civilizations. * in the 15th century spanish mu
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 14: Medium Shot, Establishing Shot

1 Page
12 Feb 2017
A shot is a series of frames that runs for a speci c period of time, without interruption. Each second of lm is usually made of 24 frames. Shot length
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Nacer Khemir, Al-Farabi, Baruch Spinoza

2 Page
13 Mar 2017
View Document

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UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Zine El Abidine Ben Ali, Nouri Bouzid, Habib Bourguiba

3 Page
13 Mar 2017
Mou da tlatli"s the silences of the palace (1994) * before the 7th century tunisia was a part of larger civilizations. * in the 15th century spanish mu
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Nacer Khemir, Al-Farabi, Baruch Spinoza

2 Page
13 Mar 2017
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 11: Peking Opera Blues, Stanley Kubrick, Edward Yang

3 Page
12 Feb 2017
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 13: Walter Salles, Social Inequality, Briey

3 Page
12 Feb 2017
There are many ways to move a camera: in uid long takes, rapid and confusing motions, etc. that establish the rhythm and point of view of a scene. a lm
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 10: Darker Image, Brian Helgeland, Telephoto Lens

4 Page
12 Feb 2017
This section explores some of the elements at play in the construction of a shot. As the critics at cahiers du cin ma maintained, the how is as importa
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 14: Medium Shot, Establishing Shot

1 Page
12 Feb 2017
A shot is a series of frames that runs for a speci c period of time, without interruption. Each second of lm is usually made of 24 frames. Shot length
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 1: Arab Cinema

1 Page
12 Feb 2017
First arab cinema screening was in 1896. Before that, attempts were made in north america and europe to invent a machine that would deconstruct and rec
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 7: Key Light

1 Page
12 Feb 2017
The standard lighting scheme for classical narrative cinema. In order to model an actor"s face (or another object) with a sense of depth, light from th
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 3: Cinema Of Egypt

1 Page
12 Feb 2017
1895 when the audience gets scared because they thought a train was coming out of the screen. 1930-1940= golden era of egyptian cinema/ invention of st
View Document
UOTTAWAARB 3101May TelmissanyWinter

ARB 3101 Lecture Notes - Lecture 12: Zoom Lens, Majid Majidi, Long Shot

2 Page
12 Feb 2017
If the same object were lmed at different shot scales it would often signify quite differently. Shot scale can foster intimacy with a character, or con
View Document

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