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All Educational Materials for Cinema and Cultural Studies at Stony Brook University

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CCS 101 Lecture Notes - Lecture 1: Celluloid, A Single Shot, In Camera

CCS 101 Chapter One: Looking at Movies Cinematic Language - composed of a myriad integrated techniques and concepts - Connects us to the story while deliberately concealing the means by which it does so - Not composed of w...

Cinema and Cultural Studies
CCS 101
jing li
CCS 101 Chapter Notes - Chapter 11: Niche Market, The Weinstein Company, Film Stock
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CCS 101 Chapter 11: How the Movies Are Made moviemaking is a moneymaking enterprise the average film is roughly $50 million to $200 million, plus 50% of that for marketing and distribution film...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 10: Soviet Montage Theory, Kinetoscope, French New Wave
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CCS 101 Chapter 10: Film History basic approaches to studying film history o the aesthetic approach (masterpiece approach/great man approach) seeks to evaluate individual movi...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 9: Sound Recording And Reproduction, Film Stock, Sound
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CCS 101 Chapter 9: Sound sound crew - generates and controls the sound physically, manipulating its properties to produce the effects that the director desires production sounds - the sounds in a movi...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 8: Motion Blur, Fndc5, Match Cut
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CCS 101 Chapter 8: Editing editing - the basic creative force of filmmaking; the process of selecting, arranging, and assembling the essential components of a movie: visual, sound, and special effects, to te...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 7: Stunt Performer, Speaking Parts, Method Acting
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CCS 101 Chapter 7: Acting 4 main key types of actors: o actors who take their personae from role to role (personality actors) o actors who deliberately play against our expectations o...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Lecture Notes - Lecture 7: Laura Mulvey, Primal Scene, Sexual Objectification
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Visual Pleasure & Narrative Cinema Laura Mulvey the paradox of phallocentrism is that it depends on the image of the castrated woman to give order and meaning to its world the function of a woman in ...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 6: Super 8 Film, Film Stock, Key Light
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CCS 101 Chapter 6: Cinematography cinematography - the process of capturing moving images on film or a digital storage device camera crew - divided into one group of technicians concerned with the camera and an...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 5: Set Decorator, Script Supervisor, Chiaroscuro
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CCS 101 Chapter 5: MiseenScne miseenscne refers to the overall look and feel of a movie o the sum of everything the audience sees, hears, and experiences while viewing the movie o literally means staging or putting on an ...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 4: Dramatic Structure, Fourth Wall
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CCS 101 Chapter 4: Elements of Narrative a narrative is a story o narrative movies are fiction films narration - the act of telling the story narrator - who or what tells the story the nar...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 3: Direct Cinema
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CCS 101 Chapter 3: Types of Movies narrative a way of structuring fictional or fictionalized stories presented in narrative films. A narrative is a story. Types of Movies narrative, documentary, instructional, persuasive...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 101 Chapter Notes - Chapter 1-2: Phi Phenomenon, Film Editing, Time Point
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CCS 101 Chapter 1: Looking at Movies shots an unbroken span of action captured by an uninterrupted run of a motionpicture camera editing the joining together of discrete shots cut closeup view fadeoutfadein transition m...

Cinema and Cultural Studies
CCS 101
Elín Jóhannsdóttir
CCS 200 Lecture Notes - Lecture 14: Classical Hollywood Cinema, Silent Film, Sound Film
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Classical Cinema: Four Periods  Early cinema (1895-1917)  “experimentation, Vaudeville, Nickelodeon, Cinema of Attractions”  Classic Cinema (1917-1945)  “standardization, technique, sound, genre, ...

Cinema and Cultural Studies
CCS 200
Gaboury
CCS 200 Lecture Notes - Lecture 13: Dumont Television Network, John Logie Baird, Telepresence
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Television: Early Technology th  “research into the live transmission of images reaches back to the 19 century  “facsimile trans...

Cinema and Cultural Studies
CCS 200
Gaboury
CCS 200 Lecture Notes - Lecture 12: Shortwave Radio, Fireside Chats, Dxing
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Radio Wirelessness • “Shift in our media environment • Sequence v simultaneity • Extends concern for speed and connection, but creates an ephemeral, invisible ink” Guglielmo Marconi • Italian invent...

Cinema and Cultural Studies
CCS 200
Gaboury

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