SCRN20011 Lecture Notes - Lecture 10: New Queer Cinema, Unapologetic, Inflectional Phrase

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Lecture 10: new queer cinema
CAN USE 'GAY' OR 'QUEER' IN THE WRITING but not homosexual
A24 studio
Studio as a new form of auteur
Black cinema
Emergence of black cinema in 60s important to the next wave of african american directors that
would emeerge
Cinema by african americans by african americans
Blacksploitation
Agit prop techniques -> infl by agitation propaganda device of soviet cinema
Queer politics
Queer politics and theory born out of the limitations of the gay and lesbian limitation movement
Queerness challenges essentialist notions of identity
Relation of resistance to whatever constitutes as normal
Identity as a social construct -> queer as a resistance to normality
History of queer cinema
Depictions of gay characters banned under production code era
Coded characters that could be read in the lines of queer -> pitied, tragic figures, the butt of jokes
or villains
Queer coding
Characters not explicitly queer but can be read as such
Disney villains, hitchcock etc
Homosexuality on screen more or less allusive
Result from the recognition and articulation of the complex range of queerness
Queer baiting -> attract queer audiences without alienating conservative audiences
Bury your gays
New queer cinema
Cinema of defiance levelled at both homophobic society and tasteful and tolerated gay culture
Films were unapologetic and alternative in film form
Male dominated though racially diverse
During the aids crisis
Queer films now
Economic trend or embracing queerness?
Glamorous actresses transforming themselves
Predominantly white
Male characters often gender appropriate
Queer denial
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