CPCF 1F25 Lecture Notes - Lecture 3: Thomas Edison, Emile Berliner, Jazz Age

• School: Brock University
• Department: Communication, Popular Culture and Film
• Course: CPCF 1F25
• Professor: Anthony Kinik

Document Summary

Popular culture is incorporative: it exists in a state of constant and rapid transformation. This transformation occurs primarily through the incorporation of marginal and emergent forms i. e. for(cid:373)s (cid:374)ot do(cid:373)i(cid:374)a(cid:374)t, or (cid:894)(cid:374)ot (cid:455)et(cid:895) re(cid:272)og(cid:374)iza(cid:271)le as (cid:862)popular(cid:863) i(cid:374) a gi(cid:448)e(cid:374) (cid:373)o(cid:373)e(cid:374)t. Reality television is an example of such a crystallization of diverse and, at the time, emergent, forms and tendencies in television and print culture in the 1980s and 1990s into a recognizable genre. To understand reality television (as an example of popular culture) it can thus be useful to trace its. Music (cid:862)pop (cid:272)ulture is defi(cid:374)ed as a pasti(cid:272)he (cid:272)ulture (cid:449)ith its ad(cid:373)i(cid:454)ture of te(cid:454)ts a(cid:374)d perfor(cid:373)a(cid:374)(cid:272)es(cid:863) Pastiche: as artistic work in a style that imitates that of a another work, artist, or a period in a judgment neutral or celebratory way, related ter(cid:373)s: allusio(cid:374), satire, parod(cid:455), (cid:894)a(cid:374)d (cid:862)(cid:271)la(cid:374)k parod(cid:455)(cid:863)(cid:895) a(cid:374)d agai(cid:374) intertextuality.