FILM 1000 Lecture Notes - Lecture 6: Film Theory

• School: Carleton University
• Department: Film Studies
• Course: FILM 1000
• Professor: André Loiselle

Document Summary

Sound: there are many different types of sound within a movie, diegetic, non-diegetic, synchronous, non-simultaneous, sound perspective. Elements of realist theory: the realist fil(cid:373) theor(cid:455) (cid:449)ill restri(cid:272)t a fil(cid:373)(cid:373)aker"s (cid:373)a(cid:374)ipulatio(cid:374) (cid:449)he(cid:374) it (cid:272)o(cid:373)es to audiovisual design to honour and respect the integrity of the events and situations before the camera. Ethi(cid:272)al co(cid:373)po(cid:374)e(cid:374)ts of bazi(cid:374)"s realis(cid:373: the reality is possessed by ambiguous quality, realistic film styles, respe(cid:272)t (cid:448)ie(cid:449)er"s e(cid:454)perie(cid:374)(cid:272)e of realit(cid:455, reprodu(cid:272)e (cid:448)ie(cid:449)er"s e(cid:454)perie(cid:374)(cid:272)e of realit(cid:455, respect ambiguity, do not manipulate viewers into a single/mass response. It gives room to develop your own interpretation and response. Creation of meaning: editing is the juxtaposition of the shots, when they are all put together, deep focus/ the long take by/within the shot itself (mise-en-scene) Incompatibilities: minimum editing: of a deep focus and long take respect the wholeness and richness of space and reality, montage: it fractures and divides the wholeness.