COMS 284 Lecture Notes - Lecture 5: Soviet Montage Theory, Fast Cutting, Master Shot

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It"s soft, the bounce light will keep the original light. Involves decisions about which shots to include, the most effective take (version) of each shot, the duration of shots, the arrangement of shots, and the transition between them. Continuity: gets the viewer involved in the story. Discontinuity: makes the viewer aware that the viewer is watching a film, disorients the viewer, and makes the viewer pay attention to the structure of the film. Super-impose: an image overlaid on another image, layering. Parallel editing: crosscutting and intercutting often get confused with parallel cutting. Spatial relationships between shots: the effect of perceiving such spatial relationships even when we are given minimal visual information or when we are presented with shots filmed at entirely different time and places is sometimes called the kuleshov effect. Temporal relationships between shots: editing is used to manipulate the presentation of plot time onscreen.

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