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Class Notes for Film Studies at Concordia University

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FMST 200 Lecture 18: Drive
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Drive: PM Genre Hybridity Semantic; surface elements [location, what we see hear, images] Syntactic; plot, theme, meaning, Ex, words, what we hear is semantic, syntactic is the grammar ex a comma can change the whole mea...

Film Studies
FMST 200
Donato Totaro
FMST 200 Lecture Notes - Lecture 17: Protofeminism, Jonah Hill, Joe Lo Truglio
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find more resources at oneclass.com The Room Critical Context - Camp o “One must distinguish between naïve camp and deliberate camp. Pure Camp is always naïve. Camp which kn...

Film Studies
FMST 200
Donato Totaro
FMST 200 Lecture Notes - Lecture 16: Todd Haynes, Medium Specificity, Sadomasochism
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Lecture 16 – Far From Heaven/ Melodrama & Authorship Melodrama [ music + drama/ performance ] - Brings out interdisciplinary nature of film o Questions of fender, feminism, cultural analysis & ideolog...

Film Studies
FMST 200
Donato Totaro
FMST 200 Lecture Notes - Lecture 7: Telefoni Bianchi, Afrocentrism, Fire Hydrant

October 24 2016h Props! Examples; could be important for identifying something about the film or just character 1. White telephone- became an identifier for a wh...

Film Studies
FMST 200
Donato Totaro
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