FILM 279 Lecture Notes - Lecture 10: World Cinema, Cinema Of India, Linguistic Map
Document Summary
Idea of waves, pollination, crossing together, reciprocal relation b/w diff cinemas: linguistic map, h remains the hegemonic language. Barravento: the world that we see is foreign to us, how do we approach it, created by movie event itself, created inappropriate other (page, not quite same, not quite other, undetermined threshold place. Inappropriate other: applies to us as film viewers, the guy i(cid:374) (cid:449)hite suit, i"(cid:373) like you (cid:894)fa(cid:374)(cid:272)y (cid:272)lothes(cid:895), (cid:271)ut also diff, does(cid:374)"t (cid:449)a(cid:374)t to (cid:449)o(cid:396)k fo(cid:396) the (cid:862)(cid:373)aste(cid:396)(cid:863) like the othe(cid:396)s. Modernism in africa, yet does(cid:374)"t (cid:395)uite participate , set up diff kind cinematography: winking at the audience: playing ironically, fragmentation too: tension, hybrid, modernism. Connected to art cinema (second cinema,: camera is set, knowledge, pleasure of showing us little scenes not central to the narrative(take off, breaking of any kind of realist narrative logic to open up in the dream, magical. Really fragmented, future: is the past as well,
