FILM 279 Lecture Notes - Lecture 7: Gilles Deleuze, Tracking Shot, Mental Image
Document Summary
Gilles deleuze- from the mov-image to the time-image: help us theorized with stromboli, but also night and fog. Bazin reading: contemporary, 1947, theorization that happens at same time of neorealism movement. Deleuze: late(cid:396) ti(cid:373)e, (cid:1012)(cid:1004)s, (cid:272)i(cid:374)e(cid:373)a (cid:1006): (cid:396)e(cid:272)og(cid:374)itio(cid:374) of bazi(cid:374)"s (cid:272)o(cid:374)t(cid:396)i(cid:271)utio(cid:374), (cid:449)hat (cid:374)eo(cid:396)ealis(cid:373) contributed to cinema, from classical to modern cinema (while previously people talked about content of the films, social neorealist way. Deleuze: revol in cinema does(cid:374)"t happe(cid:374) at le(cid:448)el of (cid:396)ealit(cid:455) (cid:894)like bazi(cid:374) sa(cid:455)s(cid:895) (cid:271)ut at le(cid:448)el of thought, cinema diff from previous cinema because cinema of thought (thinking image, time image) Movement image (classical cinema,avant-garde too: movement-image defines pre-wwii cinema and generally narrative cinema- a cinema that focuses on the unity of action (psychological unity b/w action, perceive, react, act. Mov image tied up with sense of logical unfolding in psyc level, action in world and emotion), plot, drama. Transition: hitchcock marks the limit of the mov-image,.
