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Class Notes for MUAR 211 at McGill University


MCGILLMUAR 211Nina PennerFall

MUAR 211 Final: Comprehensive 57 Page Exam Study Guide Part 2 - Fall 2015

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4 Dec 2015
87
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 26: Peter Sellars, Doctor Atomic, Art Music

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4 Dec 2015
23
Muar 211 lecture 26 post-minimalism and exam review. From late 20th century to present in america, mainly the bay area. Operas on contemporary subjects
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture 25: Aleatoric Music, Electronic Music, Minimalism

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2 Dec 2015
20
Muar 211 lecture 25 aleatoric music, electronic music, minimalism. Both stravinsky (oedipus rex) and britten (lachrymae) drew on music from the past fo
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 24: List Of Compositions By Benjamin Britten, Pizzicato, Elizabethan Era

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27 Nov 2015
21
From mid. to late 20th century from britain, chiefly the small town aldeburgh. Specialized in opera, song, music for children, sacred choral music, eng
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 23: Second Viennese School, Wassily Kandinsky, Sprechgesang

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25 Nov 2015
87
Muar 211 lecture 23 expressionism, copland. Artistic multidisciplinary movement based in germany in the early 20th c: music: schoenberg and his student
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 22: Cabaletta, Figured Bass, Legato

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20 Nov 2015
24
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 21: Symphonic Poem, Program Music, Nuages

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18 Nov 2015
22
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 20: Richard Strauss, Autocracy, Atonality

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13 Nov 2015
18
Muar 211 lecture 20 - modern era intro. Time of rapid change: technology, transportation: railroad, automobile, airplane, communication & mass media: p
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 19: Lieder Eines Fahrenden Gesellen, Symphonic Poem, Nadezhda Von Meck

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11 Nov 2015
16
Symphony after beethoven: beethoven, schubert, berlioz, schumann, mendelssohn, mahler, r. strauss, sibelius, liszt, bruckner, brahms, tchaikovsky, one
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 18: Giacomo Meyerbeer, Mily Balakirev, Glissando

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6 Nov 2015
33
Muar 211 lecture 18 nationalism & exoticism. Nationalism: nationalism: preoccupation with the distinctiveness of one"s nation (its culture, traditions,
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 17: Bass Clarinet, Gesamtkunstwerk, Norse Mythology

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4 Nov 2015
21
Mozart"s die zauberfl te (magic flute) (1791: mixture of simple music (e. g. , papageno) with italian opera influenced music (e. g. , queen of the nigh
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture 16: Italian & French Opera

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30 Oct 2015
24
Muar 211 lecture 16 italian & french opera. Less difference between aria and recitative: greater continuity between sections, larger orchestras, bigger
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 15: Organicism, Chromaticism, Dune

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28 Oct 2015
20
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 14: Robert Schumann, Tempo Rubato, Franz Schubert

OC5374884 Page
23 Oct 2015
38
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 2: Major Minor Records, List Of Fables Characters, Harpsichord

OC5374885 Page
21 Oct 2015
32
Muar 211 lecture 2: terms scales and modes. Revise texture: part: a melody played by one or more instruments or voices (a single part may be played by
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 3: Cipriano De Rore, Florentine Camerata, Multimedia

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21 Oct 2015
32
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 13: Romantic Music, Italian Unification, Cor Anglais

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21 Oct 2015
29
Muar 211 lecture 13 romantic era intro. In 1848, failed revolutions in both counties in support of unification (and to free. Northern italy from austri
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 1: Homophony, Duple Coachbuilders, Vibraphone

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21 Oct 2015
28
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 9: Da Capo Aria, Gesamtkunstwerk, Aria

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8 Oct 2015
42
Muar 211- lecture 9- baroque: fugue is by definition imitative polyphony, transcription: rewriting the piece so that it"ll fit a new instrument. Orator
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 8: Dnata, Recitative, Brandenburg Concertos

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5 Oct 2015
31
Muar 211- lecture 8- baroque: multi-movement collection of dances the one thing that makes it a baroque piece, concerto grosso and trio sonata (having
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 6: Ars Antiqua, Estampie, Fauxbourdon

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30 Sep 2015
35
Style terms: 13th century (ars antiqua), 14th ars nova, fauxbourdon. Genre of dances: galliard (3 meter) and pavane (and estampie). Know what century:
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 7: Ritornello, Trio Sonata, Concerto Grosso

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30 Sep 2015
36
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 5: Viol, Tonality, Figured Bass

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30 Sep 2015
39
Claudio monteverdi: first great opera composer, wrote opera and a lot of it survived, composer of both high renaissance and early baroque music. Invent
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 4: Fauxbourdon, Perfect Fourth, Homorhythm

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18 Sep 2015
34
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 2: Early Christianity, String Instrument, Amen

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18 Sep 2015
38
It is to show that she is a literate person (minority). They were still in latin even though it was a dead language. The cadence in this case is the pu
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 3: Ars Antiqua, Protestantism, Organum

OC5374883 Page
18 Sep 2015
33
In the 12th century: hildegard, earliest extant manuscripts of secular vocal music, earliest extant manuscripts of instrumental music (dances, beginnin
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 1: String Quartet, Bsc Young Boys, Higher Octave Music

OC5374882 Page
18 Sep 2015
47
This class will discuss music from the medieval era to the 20th century. : instruments + singer saxophones and base and james brown. I feel good: motow
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MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 1: String Quartet, Bsc Young Boys, Higher Octave Music

OC5374882 Page
18 Sep 2015
47
This class will discuss music from the medieval era to the 20th century. : instruments + singer saxophones and base and james brown. I feel good: motow
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 1: Homophony, Duple Coachbuilders, Vibraphone

OC5374883 Page
21 Oct 2015
28
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 2: Early Christianity, String Instrument, Amen

OC5374883 Page
18 Sep 2015
38
It is to show that she is a literate person (minority). They were still in latin even though it was a dead language. The cadence in this case is the pu
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 23: Second Viennese School, Wassily Kandinsky, Sprechgesang

OC5374885 Page
25 Nov 2015
87
Muar 211 lecture 23 expressionism, copland. Artistic multidisciplinary movement based in germany in the early 20th c: music: schoenberg and his student
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 3: Cipriano De Rore, Florentine Camerata, Multimedia

OC5374886 Page
21 Oct 2015
32
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 4: Fauxbourdon, Perfect Fourth, Homorhythm

OC5374883 Page
18 Sep 2015
34
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 9: Da Capo Aria, Gesamtkunstwerk, Aria

OC5374882 Page
8 Oct 2015
42
Muar 211- lecture 9- baroque: fugue is by definition imitative polyphony, transcription: rewriting the piece so that it"ll fit a new instrument. Orator
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 14: Robert Schumann, Tempo Rubato, Franz Schubert

OC5374884 Page
23 Oct 2015
38
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 3: Ars Antiqua, Protestantism, Organum

OC5374883 Page
18 Sep 2015
33
In the 12th century: hildegard, earliest extant manuscripts of secular vocal music, earliest extant manuscripts of instrumental music (dances, beginnin
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 22: Cabaletta, Figured Bass, Legato

OC5374883 Page
20 Nov 2015
24
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture 16: Italian & French Opera

OC5374886 Page
30 Oct 2015
24
Muar 211 lecture 16 italian & french opera. Less difference between aria and recitative: greater continuity between sections, larger orchestras, bigger
View Document
MCGILLMUAR 211Nina PennerFall

MUAR 211 Lecture Notes - Lecture 15: Organicism, Chromaticism, Dune

OC5374885 Page
28 Oct 2015
20
View Document
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