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Class Notes for World Cinemas at McGill University

FILM 279 Lecture 5: Film 279 lecture 5
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Film 279 lecture 5 Un chien Andalou Context o Idea of dreams, how p...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 4: Film 279 lecture 4
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Film 279 lecture 4 Miriam Hansen (reading)- The mass production of...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 7: Lecture 7 film 279
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Lecture 7 film 279 Gilles Deleuze- From the mov-image to the Time-...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 2: Lecture 2 film 279
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Lecture 2 film 279 Theater of attraction (early cinema) o Alice Guy...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 8: Film 279 lecture 8
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Film 279 lecture 8 (FRENCH CINEMA) New waves Le cahier Fil...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 6: Film 279 lecture 6
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Film 279 lecture 6 Last class: avant-garde film Dulac reading...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 11: FILM 279 lecture 11
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FILM 279 lecture 11 Maps : new cinema that takes many names o Trans...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 10: Lecture 10 Film 279
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Lecture 10 Film 279 World cinema Mapping that Andrews...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 9: Lecture 9
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Lecture 9 The long wave of Colonialism How it exploded in the histo...

World Cinemas
FILM 279
Thomas Lamarre
FILM 279 Lecture 1: FILM 279 lecture 1
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FILM 279 lecture 1  Early film history and archeology of possib...

World Cinemas
FILM 279
Thomas Lamarre

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