ENGLISH 2I06 Lecture : Rhys and Boland

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Words that make a rhythm of/the crime : gendered testimony in rhys & boland. Questioning/rejecting the words that make rhythm from crime. Literature/language on one hand and crime on the other. Crime in the sense of historical injury or wounding. Asking questions about the way in which literature can be complicit in covering over historical memory and memories of pain. Perhaps making of literature into rhythm is a preservation and not a covering over. Duty to perform feminine role in a way that pleases. Object/lessons there is something to be learned from examining the problem of objectification. Archiving the experience of being rendered an object and particularly an object of moral disdain. Women responsible for loss, for sin, for very heavy subjects. The story is beginning with venting, so reliability must be filtered through anger. She makes a set of strong assertions and evaluations that we have no evidence for. There is an immediacy of address to the reader.

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