THTRFLM 3N03 Lecture Notes - Lecture 1: Independent Film, Images Festival, Overconsumption
20 Jan 2017
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Week 2 (cid:862)i(cid:374)depe(cid:374)de(cid:374)t(cid:863) or (cid:862)alter(cid:374)ati(cid:448)e(cid:863) fil(cid:373) a(cid:374)d (cid:448)ideo. Produced outside of dominant institutions and for non-commercial exhibition and distribution. They might have had funding from government programs. The other forms of support are not readily available. Small budgets, not for commercial release, seeking audiences outside of mainstream commercial venues. Art contexts like galleries or artist centers. Other ter(cid:373)s used: artist"s (cid:448)ideo, (cid:448)ideo art, e(cid:454)peri(cid:373)e(cid:374)tal, short fil(cid:373) a(cid:374)d (cid:448)ideo . E(cid:454)peri(cid:373)e(cid:374)tal: (cid:374)e(cid:449) (cid:272)o(cid:374)(cid:272)epts that has(cid:374)"t (cid:271)ee(cid:374) do(cid:374)e (cid:271)efore, (cid:272)o(cid:373)(cid:271)i(cid:374)i(cid:374)g differe(cid:374)t ele(cid:373)e(cid:374)ts (cid:894)(cid:374)ot fixed in one element), potentially dangerous. I(cid:374) this (cid:272)ourse, (cid:862)alter(cid:374)ati(cid:448)e(cid:863) does not align with contemporary popular culture celebrating. Still has some commerciality attached to it. Transnational media companies and their boutique distributors look for low-budget work to attract untapped audiences and large profit margins. Marks a counter-discourse to commercial media and their privileging of commercial exchange values. Alternative film/video functions as a zone of conscience and consciousness. There are many ways in approaching the things they make.
