WOMENST 3BB3 Lecture Notes - Lecture 11: Animated Documentary

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Animated documentaries, comics, and graphic novels
Keyword - animated documentary
Recorded or created frame by frame
About the world rather than a world wholly imagined by its creator
Has been presented by a documentary by its producers or received as a documentary
by audiences, festivals, or critics
Animation and documentary seem to be at odds with each other - documentaries
typically rely on video recordings of the topic as proof. But documentaries are still
produced
Animated documentaries are often dismissed because they are seen as being made by
artists, not filmmakers
Reasons animation is used
Animation can recreate historical images that we don’t have footage of
Can obscure people’s identity
Can reach different audiences
Show things that can’t be captured on camera
Can explain concepts, geography, strategies
Can elicit feelings - humour, symbolism
Challenge the “authenticity” of live action
Three animated documentary modes
Mimetic substitution - realistic representation when no footage exists
Non-mimetic substitution - animates themes when no footage exists. Not necessarily
realistic representation
Evocation - certain concepts, emotions, feelings and states of mind are particularly
difficult to represent through live action imagery
Animation can broaden and deepen the range of what we can learn from documentaries
by showing us aspects of life that are impossible to film in live action
Keyword - comic books
Use text and images to convey a storyline
Comics communicate in a “language” that relies on a visual experience common to both
creator and audience
Began in the 1930s (ex. Superman 1938, Batman 1939)
Were very contentious due to their depictions of violence
Depiction of women in comic books often critiqued - oversexualizaton, lack of women
superheros
Indigenous peoples and comic books
Often depicted in racist or stereotypical ways - tied to nature, transform into animals
X-men and difference as analogy
Society rejects and fears mutants
Comparisons to Jewish people and the Holocaust
War between assimilationist and separatist points of view
Critiqued for being too universal
Primary audience is young white straight men
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Document Summary

About the world rather than a world wholly imagined by its creator. Has been presented by a documentary by its producers or received as a documentary by audiences, festivals, or critics. Animation and documentary seem to be at odds with each other - documentaries typically rely on video recordings of the topic as proof. Animated documentaries are often dismissed because they are seen as being made by artists, not filmmakers. Animation can recreate historical images that we don"t have footage of. Show things that can"t be captured on camera. Mimetic substitution - realistic representation when no footage exists. Non-mimetic substitution - animates themes when no footage exists. Evocation - certain concepts, emotions, feelings and states of mind are particularly difficult to represent through live action imagery. Animation can broaden and deepen the range of what we can learn from documentaries by showing us aspects of life that are impossible to film in live action.

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