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Lecture 23

ARTH 301 Lecture 23: 23- Artist as Author Professor James Gareth Nov 21

2 Pages
49 Views
Fall 2017

Department
Art History and Visual Culture
Course Code
ARTH 301
Professor
T'ai Smith
Lecture
23

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1
ARTH 300
Nov 21
Artist as Author
PROFESSOR GARETH JAMES
• Canvas/Readings: Alain Badiou, St. Paul: The Foundation of Universalism
(Stanford, CA: Stanford UP, 2003), 4-30.
• Canvas/Readings: Gareth James, Not Late. Detained, in After Godard, ed. Caspar
Stracke (forthcoming Helsinki).
Edward Said: Philosopher of Palestine and Orientalism
Jean-Luc Godard: French-Swiss director
Methodology of James Gareth
Exhibitions:
1. The Real is that which always comes back to the same place: Broadway between
101st and 102nd Streets, New York, NY 10025, March 21, 2008
Stolen bike, it’s illegal so whatever qualities of material,
Untitled (2008). Stolen bicycle, spray, paint, broken lock, digital photo, glass.
Aim of exhibition: possibility of work for art can be manifest.
2. Galerie Christian Nagel, Cologne 2008
Capitalist relationships arise questions of subjective expressions
Lui. 2009. Graphite on inkjet print on canvas with bicycle inner tube. 18x24 inches
Book opens up describing killing his wife. James didn’t know what painting means.
Traumatic hope in representing. He is not evil he had a psychiatric episode; he needs
treatment, no punishment. One representation determined to be more accurate than
other
Nobody knows what the diagram means
3. Human Metal. Miguel Aubreau Gallery. New York
Wood carving a formal analysis of the diagram, what it might mean. Tree swallows
up younger tree.
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Description
ARTH 300 Nov 21 Artist as Author PROFESSOR GARETH JAMES Canvas/Readings: Alain Badiou, St. Paul: The Foundation of Universalism (Stanford, CA: Stanford UP, 2003), 4-30. Canvas/Readings: Gareth James, Not Late. Detained, in After Godard, ed. Caspar Stracke (forthcoming Helsinki). Edward Said: Philosopher of Palestine and Orientalism Jean-Luc Godard: French-Swiss director Methodology of James Gareth Exhibitions: 1. The Real is that which always comes back to the same place: Broadway between 101 and 102 Streets, New York, NY 10025, March 21, 2008 Stolen bike, its illegal so whatever qualities of material, Untitled (2008). Stolen bicycle, spray, paint, broken lock, digital photo, glass. Aim of exhibition: possibility of work for art can be manifest. 2. Galerie Christian Nagel, Cologne 2008 Capitalist relationships arise questions of subjective expressions Lui. 2009. Graphite on inkjet print on canvas with bicycle inner tube. 18x24 inches Book opens up describing killing his wife. James didnt know what painting means. Traumatic hope in representing. He is not evil he had a psychiatric episode; he needs treatment, no punishment. One representation determined to be more accurate than other Nobody knows what the diagram means 3. Human Metal. Miguel Aubreau Gallery. New York Wood carving a formal analysis of the diagram, what it might mean. Tree swallows up younger tree. 1 Diagram as kind of paintbrush in photographies. Overlap. Post-structural thinker: Jacques Derrida Derrida wants to talk about the condition of activity surprised by ideological fantasy 4. Exhibition concluded in a book Footage taken by Godard, when he was sure he cracked relationship between arts and politics. Make films politically, Saint Paul becomes a militant subject to the truth of the event, describes situation he has previously in. Paul is a major figure of anti-philosophy. For an antiphilosopher, the enunciative position is obviously part of the statements protocol. What is knowledge within the situation (religion)? Question becomes what does one do in relationship to The anti-philosopher prioritizes the action. Role of artist as thinker, writer and anti art-historian. Artist is necessary element as subject related to object. What differentiates art hast t
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