ARTH 345 Lecture Notes - Lecture 10: Donato Bramante, Lira Da Braccio, Raphael Rooms
5 Dec 2017
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It is interesting how dante is exhibited on both walls: some of these figures are based directly upon classical statuary, a sense of classical severity. Looks to the classics, but seeks to repair them and change elements. In many writings of the time, apollo was identified with christ: sermons were given making this comparison, this comparison could be made in this room christ was present on the wall of. Theology: two half-naked men displayed in a similar pose, a similar visual analogy. The school of athens, stanza della segnatura: a group portrait of philosophers, parallels with theology on the opposite wall, a similar semi-circular arrangement of the figures. Instead of the alter and depictions of the trinity, there are silhouetted portraits of. Mi(cid:272)hela(cid:374)gelo"s (cid:449)orks: raphael clearly admires michelangelo, and includes him in the composition, e(cid:448)e(cid:374) (cid:272)opies mi(cid:272)hela(cid:374)gelo"s (cid:373)us(cid:272)ular style, (cid:449)hi(cid:272)h (cid:272)o(cid:374)trasts the other figures, heraclitus was known as the weeping philosopher morose, difficult, turned away.
