ENGL 200 Lecture Notes - Lecture 7: Lyrical Ballads, Romantic Poetry, Lyric Poetry

• School: Queen's University
• Department: English
• Course: ENGL 200
• Professor: Leslie Ritche

Document Summary

30. 01. 2018: whe(cid:374) (cid:449)e last (cid:373)et, the topi(cid:272) (cid:449)as cole(cid:396)idge"s disti(cid:374)(cid:272)tio(cid:374) (cid:271)et(cid:449)ee(cid:374) fa(cid:374)(cid:272)(cid:455) a(cid:374)d imagination. Fancy is a more mechanical act a (cid:396)e(cid:272)o(cid:373)(cid:271)i(cid:374)ato(cid:396)(cid:455) p(cid:396)o(cid:272)ess: (cid:862)fa(cid:374)(cid:272)(cid:455), o(cid:374) the (cid:272)o(cid:374)t(cid:396)a(cid:396)(cid:455), has (cid:374)o othe(cid:396) counters to play with but fixities and definites. The fancy is indeed no other than a mode of memory emancipated from the order of time and space; and blended with and modified by that empirical phe(cid:374)o(cid:373)e(cid:374)o(cid:374) (cid:449)hi(cid:272)h (cid:449)e e(cid:454)p(cid:396)ess (cid:271)(cid:455) the (cid:449)o(cid:396)d choice(cid:863) (cid:894)d. (cid:1008)(cid:1013)(cid:1005)(cid:895). A(cid:374)d we (cid:373)ade a (cid:272)hart that looked like this . Compares, disassembles objects to their key elements, creates idealized objects. Gives to inner ideas the consistency and appearance of the actual. Mechanical association of ideas; variety arises from choice amongst a set of established ideas, not from invention. Recombined objects which do not change in themselves, only change in their combination with other things. Coleridge thinks poetry should also represent the fantastic and the supernatural.