FSN 232 Lecture Notes - Universal Rule, Contrapposto, Jan Van Eyck

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Published on 15 Apr 2013
School
Ryerson University
Department
Fashion
Course
FSN 232
Professor
Week 11
15th Century Italian architecture and finishing 15th century italiam and northern painting
13.27
12.30
13.27
13.24
Lighting and shading is important
The figures are not inhabiting space
Greater naturalism in understanding how they felt
13 05 14 25
The cross and the halo indicate that its Christ
Those symbols help know that its crhist
In the versacio there is lots more emotion
The compositions are not equal, one seems more spontaneous
13 46 and 13 52
13. 17
strong foreshortening
telling stories with decorall
13.49
13.48
pero shows more movement, more understanding of contraposto than angelico
the virgin is depicted differently
halo isn’t as elegant between the too
use of foreshortening in the halo
looks more realistic in piero’s
13.29 and 13.37
one is more masculine than the other
but over all they are the same
13.28
contrapostal
classical sculpture
12.28
1415/1423/1427
broad drapery
proportion of the figures, big heads and big hands
1415 shows more detail of the armour and the proportions are better
more interest in complicated lines
13.61 and 13.59
there is strange movement
whacky perspectives
the angels are petite
great use of foreshortening
in comparison to 13.20
there is less clarity, less balance
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Document Summary

15th century italian architecture and finishing 15th century italiam and northern painting. The cross and the halo indicate that its christ. In the versacio there is lots more emotion. The compositions are not equal, one seems more spontaneous. 13 46 and 13 52: 17 strong foreshortening telling stories with decorall. 13. 48 pero shows more movement, more understanding of contraposto than angelico the virgin is depicted differently halo isn"t as elegant between the too use of foreshortening in the halo looks more realistic in piero"s. 13. 29 and 13. 37 one is more masculine than the other but over all they are the same. 1415/1423/1427 broad drapery proportion of the figures, big heads and big hands. 1415 shows more detail of the armour and the proportions are better more interest in complicated lines. 13. 61 and 13. 59 there is strange movement whacky perspectives the angels are petite great use of foreshortening in comparison to 13. 20 there is less clarity, less balance.

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