MPC 210 Lecture Notes - Lecture 8: Classical Hollywood Cinema, French New Wave, Richard Dyer

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Cl o from 5 to 7 film (agn s varda) Historical narrative interjects throughout: france-algeria war (colonial legacy) French new wave pioneer and left bank" filmmaker. Subverse film convention-cut against the grain of expectation // pan from right to left. Known for use of non-professional actors . Colour that contain all other colours (convention // not arbitrary) isaac newton- against accepted knowledge of his time. Methodology: historical, analytical and foucauldian (apparatus and institute of power that creates certain interpretation) Availability of continuous sources of light is an entirely new phenomenon of modernity. Media of light" - light as form of representation. Focus on the technology,and practices in production. Advent of sound film, characterised by standardization of narrative form in studio style. Use of continuous hot source of light. Stock caters to certain type of colour and not others. Sensitive to a wider range of colour. Actor & actressed wore white makeup + black eye (show up on stock)

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