CMNS 321 Lecture Notes - Lecture 2: Jacques Attali, Griot, Juggling

• School: Simon Fraser University
• Department: Communication
• Course: CMNS 321
• Professor: Vincent Andrisani

Document Summary

The history of popular music: the birth of an industry. Jacques attali noise: the political economy of music (1985, p. 14) (cid:858)he (cid:449)as (cid:373)usi(cid:272) a(cid:374)d the spectacle of the body. Jacques attali noise: the political economy of music (1985, p. 16) (cid:858)u(cid:374)til that ti(cid:373)e, the (cid:373)usi(cid:272)ia(cid:374) had (cid:271)ee(cid:374) a free (cid:272)rafts(cid:373)a(cid:374) at o(cid:374)e (cid:449)ith the people and worked indifferently at popular festivals or at the court of the lord. Afterward, he would have to sell himself entirely and exclusively to a single so(cid:272)ial (cid:272)lass. (cid:859: wolfgang amadeus mozart (1756 1791) Like most composers for aristocracy that preceded him, mozart also had a particularly stormy relationship with his master count von colloredo, the. Is popular music synonymous with celebrity: the idea of celebrity emerged some time between the death of mozart (1791) and the death of. Beethoven (1827: mozart had admirers, but beethoven had fans, franz liszt (1811 1886)