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Class Notes for Contemporary Arts at Simon Fraser University (SFU)

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 1: Film Studies, Term Paper

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Wednesday, january 6, 2016. Look at glossary of the textbook. Year of production (usually within the decade or better 1- 2 years off) What each film is
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SFUFPA 149Susan Christie- BellSummer

FPA 149 Lecture Notes - Lecture 3: Head-Related Transfer Function, Wavefront, Sound

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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 1: Marxist Feminism, Narrative Structure

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 10: Rainer Werner Fassbinder, Wim Wenders, Dziga Vertov

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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 4: Seven Samurai, Continuity Editing, Verisimilitude

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If the shot is the basic element of filmmaking, editing makes sense out of those shots. Editing cuts shots and combines them to construct/ deconstruct
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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 3: Anamorphic Widescreen, Establishing Shot, Long Shot

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SFUFPA 136Peter LesterFall

FPA 136 Lecture Notes - Eadweard Muybridge, Thomas Edison, Kinetoscope

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SFUFPA 104Rita UedaFall

FPA 104 Lecture 7: Lecture 7

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SFUFPA 149Susan Christie- BellSummer

FPA 149 Lecture Notes - Fourier Series, Rarefaction, Synthesizer

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 11: Cahiers Du Cinéma, Film Theory, Semiotics

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 2: Digital Photography, Key Light, Verisimilitude

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 4: Point-Of-View Shot, Establishing Shot, 180-Degree Rule

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*remember: two basic forms of film we look at: realism and formalism: continuity editing/analytical editing. In continuity editing, the cut is minimize
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