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Class Notes (1,033,167)
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ART 142 (22)

Class Notes for ART 142 at St. Francis Xavier University

History of Art II

Exam Study Guides for ART 142

Covers all exam topics.

ART 142 Lecture Notes - Lecture 5: Isenheim Altarpiece, Albrecht Dürer, Philip Melanchthon

Multiple interpretations Interest in alchemy Allegory of redemption Participation in heretical group that promoted free love Condemnation of carnal sin Interest in verba; puns and proverbs ...

Art
ART 142
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ART 142 Lecture Notes - Lecture 1: Usury, Cimabue, Making Money

The proto- Renaissance in Italy Place, purpose and point of view Place: Italy, 13th hundred and 14th hundred, independent city states. Regions shifted over time i.e war Not known as Italians Romans, F...

Art
ART 142
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ART 142 Lecture Notes - Lecture 2: Lorenzo Ghiberti, Ambrogio Lorenzetti, Nicola Pisano

Strage His treatment of human figures. Gabriel more naturalistic. When you look at Mary, shes twisted in a strange pose, not naturalistic. Hes able to convey the emotions in her posture and facial express...

Art
ART 142
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ART 142 Lecture Notes - Lecture 4: Limbourg Brothers, Tempura, Albrecht Dürer

Right before storm breaks, women nursing baby on bank infront of river Using colour to create thick heavy atmosphere, different type of spatial setting Titian Contemporaries referred to him as The Sun Amid...

Art
ART 142
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ART 142 Lecture Notes - Lecture 3: Adorable (Band), Beauty, Sfumato

Possibly to compensate for the distance at which it was meant to be viewed OR to underline the concentration and symbolize the pondered action of slaying Goliath Michelangelo, Pieta Michelangelo, Sistine Chape...

Art
ART 142
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ART 142 Lecture Notes - Lecture 22: Roman Art, Der Blaue Reiter, Henri Matisse
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find more resources at oneclass.com March 16, 2016 Fauvism and Expressionism continued: - expressionism: any work of art based on expressiveness and containing emotional content - Expressionism: style specific to Ge...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 16: Jan Van Eyck, Carlo Maderno, San Pietro In Montorio
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find more resources at oneclass.com January 27/2016 Late Renaissance and Mannerism continued: Paolo Veronese, Feast in the House of Levi: - lavish detail - 42 feet long painting, oil painting on canvas - made for r...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 20: Wainwright Building, Fauvism, German Expressionism
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find more resources at oneclass.com March 14/ 2016 Post-Impressionism and Symbolism continued: James Ensor, Christ’s Entry into Jerusalem: - tends to be satirical; comments on contemporary society - family owned a ...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 5: Four Books And Five Classics, Mezzetino, Broken Sword
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find more resources at oneclass.com February 22/ 2016 Baroque and Rococo continued: - late 17th century, dispute among members of French academy. Created two factions: Pous- sinistes and Rubenistes. Poussin believ...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 28: Maligne Lake, Joseph Stella, Emily Carr
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find more resources at oneclass.com March 28/ 2016 Art in Europe Between the World Wars, continued: Constantin Brancusi, Sleeping Muse and the Newborn: - wanted to simplify everything Sleeping Muse: - simplified ...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 11: Leon Battista Alberti, Orsanmichele, Portico
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find more resources at oneclass.com January 11/2016 Italian Sculpture & Architecture in the 15th Century - the renaissance began in Florence in the early 15th century - Florence became well known as a rich banking...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 32: Georges Seurat, The Potato Eaters, Noble Savage
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find more resources at oneclass.com March 9 Manet, Bar at the Folies Bergere: - stopped painting in his old style, tended more towards impressionism - when does impressionism, doesn’t do the typical simple things; m...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 9: Johannes Vermeer, Hollerado, Portico
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find more resources at oneclass.com February 8/2016 Jan Vermeer, Woman Holding a Balance: - Dutch obsessed with cleanliness - going towards single parent families - paintings often don’t have clear narratives, b...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 30: Mary Cassatt, Mals, William-Adolphe Bouguereau
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find more resources at oneclass.com March 7/2016 Romanticism and Realism continued: John Everett Millais, Ophelia: - Shakespeare’s Hamlet: Hamlet’s lover/fiance Ophelia goes mad and brings a bunch of sym- bolic...

Art
ART 142
Arthur Sparks
ART 142 Lecture Notes - Lecture 13: Triptych, Sandro Botticelli, Aerial Perspective
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find more resources at oneclass.com January 18/ 2016 Painting in 15th century Italy (part 1): - naturalistic settings and activities that were portrayed in a detailed and ornamental fashion, like those we looked...

Art
ART 142
Arthur Sparks

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