MUSI 3480 Lecture Notes - Contrabassoon, Recitative, List Of Works By Max Reger
Document Summary
5th symphony in c minor: very compact, movements are all linked by the use of a common motive (repeated note motive). Last two movements are literally linked together (c. p. e. 3 trombones, (hadn"t been used in symphonies before) contrabassoon, piccolo dynamic concentrated music. Completes on a few pieces (foreshadowing early romantic). Hammer clavier (1817): extremely difficult piano piece, uses every fugue technique. : 1) interest in folk-like melodies movements that are inspired: highly original treatment of form. : unity, synthesis of new forms, different forms are straddled: interest in variation forms and cycles. , each variation has a new meaning, creating from the core and composes a whole new perspective around the repeated variation. Op. 111: renewed interest in counterpoint counterpoint (palestrina), using fugues (missa solemnis) went over treatises on, retrospective elements create archaic sound. : imitate church styles, begins to use older styles to: notable pieces in his late style: Late piano sonatas (106, 109, 110, 111, diabelli variations)