C LIT228 Lecture Notes - Lecture 5: Crime Film, Nypd Blue, Avail
Document Summary
C lit 228 september 23, 2016: sherlock. Tv series format as the dominant crime genre medium. The post-(cid:374)et(cid:449)o(cid:396)k e(cid:396)a: this (cid:374)e(cid:449) st(cid:396)u(cid:272)tu(cid:396)e is (cid:271)ased p(cid:396)i(cid:373)a(cid:396)il(cid:455) o(cid:374) the dispe(cid:396)sal of the (cid:858)u(cid:374)ified(cid:859) audeience into a range of smaller consumer groups, each with specialized interests and desires, and on program formats designed to meet those desires. The changes in the television industry bear significant impact on the variability of the genre and its more pronounced diversification. Television series vs literary series in the history of the detective genre. Tele(cid:448)isio(cid:374) se(cid:396)ies as a (cid:862)(cid:374)e(cid:449)(cid:863) lite(cid:396)a(cid:396)(cid:455) fo(cid:396)(cid:373): continuity of charaters, longer, more complex plot lines and narrativity. Infinite potential: creates a comforting and familiar sense. Cultural anxieties about communities and their securities, reliability of empirical science, justice and order: narratives of paranoia resolves them. Superficial and simplistic belief in the power of order. Specifi(cid:272)all(cid:455) i(cid:374) a(cid:373)e(cid:396)i(cid:272)a(cid:374) (cid:272)(cid:396)i(cid:373)e d(cid:396)a(cid:373)as; go(cid:448)e(cid:396)(cid:374)(cid:373)e(cid:374)t/go(cid:448)(cid:859)(cid:373)e(cid:374)t st(cid:396)u(cid:272)tu(cid:396)es a(cid:396)e pervasive. (cid:858)post-(cid:396)e(cid:272)essio(cid:374) tv(cid:859): legiti(cid:373)ate te(cid:396)(cid:373), de(cid:448)eloped o(cid:448)e(cid:396) the last de(cid:272)ade.