ARTH 1510 Lecture Notes - Lecture 3: Ishtar Gate, Art Of Mesopotamia, Narmer

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The seated figure in the scene showing its use is seated but you can tell he"s larger. The abstraction of the hair and the colour is part of the imagination abstraction. 4 panel registers underneath the beard show scorpion man (epic of. Painted wooden box in the register system. Some thing its intended to be visible, musical, etc. The registers show from bottom to top; low class of society and animals, the next one has people who aren"t burdened, at the top the banqueters singing and drinking. Everything is wonderfully organized during times of peace with harmony and symmetry reflected. To warn of chaos in wartime and peace. Head of an akkadian ruler, nineveh (2,250-2,200 bce) Moving from natural things to make them to technological advances. Combination of cutting edge tech, precious metals. Very generalized style, beard patter, ideal face. Naram sin is larger than the others iconography of defeat. Commemorating a ruler and the victorious people.

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