MUSC 2150 Lecture Notes - Lecture 7: Eddie Holland, Lamont Dozier, Brian Holland
12 Nov 2018
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Document Summary
In this unit, we explore the development of african-american music through the 1960s. Motown label emerges as the primary source of black pop, successfully adapting the brill- Southern soul, a strongly african-american gospel, rhythm-and-blues inspired music centred mainly at the stax and atlantic labels, provides the rough, raw, more emotional counterpart to the motown sound. We see the roots of funk and of modern rap and hip-hop develop. Motown is widely criticized by blacks for selling out to the largely white, american pop audience sensibilities: covach will explore facets of the argument with you. Something else to consider when you are pondering the problem of the blackness of. Listening: baby love the supremes, the way you do the things you do the temptations, nowhere to run martha and the vandellas. Activity 7. 1: listen to baby love by the supremes, produced by brian holland, lamont dozier, and. Edward holland jr. and follow along with the listening guide.
