ARTH 339 Lecture Notes - Lecture 9: Chartism, John Everett Millais, Academic Art
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Courbet divides the painting into left, exploiters (commissioners, huntsmen, louis. Courtbet exhibited his works in a pavilion outside the palais de l(cid:495))ndustrie, (cid:883)8(cid:887)(cid:887) The artist(cid:495)s studio, (cid:883)8(cid:887)(cid:887) (cid:523)a real allegory representing seven years of my life as an. Artist(cid:524), (cid:884)(cid:882)(cid:495) x (cid:883)(cid:883)(cid:495) (cid:494)what did we fight for? (cid:495); (cid:494))(cid:495)m not dead now, nor is realism(cid:495) Napoleon who appointed own friends in government, jewish figure l. p(cid:495)s shows revolution in art: the art courbet(cid:495)s not doing controversial minister of finance, literary figures, political radicals) and exploited (common people, peasants, nude model not idealized, his friends, patrons) Old mannequin that looks like christ on left side; discarded: religious painting; Lp very like trump, freedom of press shut down, own people in the government, corruption, gentrification, liberty and freedom get re-construed. For courtbet: realism is not just subject matter, but in the underline structires and systems that give the subject matter meaning. Disconerning rupture, putting the viewer into discomforting position.
