MDSA01H3 Lecture Notes - Lecture 7: Stanley Kubrick, Media Studies, Reality Principle

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Phantom Lady (1944)
Directed by Robert Siodmak
A married man, Scott Henderson,
meets a woman in a bar. They
spend the evening together, just
two unhappy people who simply
seek a little companionship. He
never learns her name. Later that
night when he gets home . . .
Film Noir
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wife has been murdered
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Because the
Phantom Lady
can’t confirm his
alibi, he’s
convicted and
sentenced to
death.
Only his secretary can
save him, and she sets
out to find the phantom
lady.
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Document Summary

A married man, scott henderson, meets a woman in a bar. They spend the evening together, just two unhappy people who simply seek a little companionship. Later that night when he gets home . Phantom lady can"t confirm his alibi, he"s convicted and sentenced to death. Only his secretary can save him, and she sets out to find the phantom lady. She dresses like a lose woman to get the attention of a drummer who may have seen the phantom lady . Repressed or lost desires influence the creation of media artefacts and explain the mental drives activated by those artefacts. This approach is generally grounded in: the genesis of individual psychology, the psychology of the media artefact, the ways in which the two interact in the process of media consumption. Perceptional consciousness: conscious awareness provided by your senses. Pre-conscious: things easily called to your conscious mind. Principle the uncontrollable human drive to satisfy desire, including libido, human sexual desire.

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