VPMA93H3 Lecture Notes - Lecture 8: George Frideric Handel, Franz Liszt, Contemporary Classical Music
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How is music transmitted: (cid:862)e(cid:448)ery (cid:374)otio(cid:374) is, i(cid:374) itself, the tra(cid:374)s(cid:272)riptio(cid:374) of a(cid:374) a(cid:271)stra(cid:272)t idea. The i(cid:374)sta(cid:374)t the pen seizes it, the idea loses its original form. The very intention to write down the idea, compels a choice of measure and key. It exists both within and outside of time, and through its nature we can obtain a definite conception of the otherwise intangible notion of the ideality of ti(cid:373)e. (cid:863) A new esthetic of music feruccio busoni (1866-1924) The process of performance: co(cid:373)poser"s (cid:373)usi(cid:272)al idea, notation, perfor(cid:373)er"s (cid:373)usi(cid:272)al idea, performance (transcript into sounds, recording, audie(cid:374)(cid:272)e"s per(cid:272)eptio(cid:374)/(cid:373)usi(cid:272)al idea. A (very) brief survey of some important events in the history of musical performance in. Used by the court of the frankish empire (pepin the short, charlemagne) as a means of ensuring standard performance practice for all members of the roman catholic church. Development of notation eventually had a powerful impact on performance in western european music by.
