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VPMC88H3 (6)
Lecture

Lecture 4

4 Pages
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Department
Music and Culture
Course Code
VPMC88H3
Professor
Ken Mc Leod

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Renaissance
-personal expression (humanistic)
-emphasis depicting the text
-get away from isorhythm
-point of imitation
-Machaut Messe de Nostre Dame was the first polyphonic setting of Ordinary mass
-cantus firmus mass, isorhtyhmic mass
-cohesion borrowed melody repeats
-cyclic cantus firmus was first composed by Dunstable
-Du Fay’s Missa se la Face ay Pale was unusual piece because the borrowed melody was from
secular music
-paraphrase add notes to cantus firmus and imitation in all voices
-edit the tenor voice, then borrowed melody is imitated in all voices
-Josquin des Prez’s Miss Pange Lingua
-Parody mass borrowing all voices in a polyphonic music
-no example in the course material
-opinion against humanism obscure the text, not about expression of composer, should be
more about God and text
Rise of National Styles
- Italy
-Frottola Italian strophic song, 4 part homophony, simple harmony/ melody, syllabic, upbeat
-Lauda religious frottola
-Madrigalthrough composed of short secular poem
elevated poetry (Tasso, Ariosto, Petrarch)
1stanza, 7 -11 syllabic lines, rhymed couplet, through composed
intended for upper class
pastoral subjects, often erotic subtext, classical Greek and Rome
double entendre, irony
both male and female
4-6 voices a cappella
word-painting
3Stages in Madrigal Development
Stage 1
Pillipe Verdelot/ Jacob Arcadelt (Franco Flemish Composer
-4 voices, homophonic, mild word-painting
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Description
Renaissance -personal expression (humanistic) -emphasis depicting the text -get away from isorhythm -point of imitation -Machaut Messe de Nostre Dame was the first polyphonic setting of Ordinary mass -cantus firmus mass, isorhtyhmic mass -cohesion borrowed melody repeats -cyclic cantus firmus was first composed by Dunstable -Du Fays Missa se la Face ay Pale was unusual piece because the borrowed melody was from secular music -paraphrase add notes to cantus firmus and imitation in all voices -edit the tenor voice, then borrowed melody is imitated in all voices -Josquin des Prezs Miss Pange Lingua -Parody mass borrowing all voices in a polyphonic music -no example in the course material -opinion against humanism obscure the text, not about expression of composer, should be more about God and text Rise of National Styles - Italy -Frottola Italian strophic song, 4 part homophony, simple harmony melody, syllabic, upbeat -Lauda religious frottola -Madrigalthrough composed of short secular poem elevated poetry (Tasso, Ariosto, Petrarch) 1stanza, 7 -11 syllabic lines, rhymed couplet, through composed intended for upper class pastoral subjects, often erotic subtext, classical Greek and Rome double entendre, irony both male and female 4-6 voices a cappella word-painting 3Stages in Madrigal Development Stage 1 Pillipe Verdelot Jacob Arcadelt (Franco Flemish Composer -4 voices, homophonic, mild word-painting www.notesolution.com
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