CIN105Y1 Lecture Notes - Lecture 1: Miles Davis, Korean Dance, Cinematic Techniques
Document Summary
Explicitly about the place and the time. The referential meaning the challenges involved in making the particular film; and how interpersonal relationships are; constructing the story world. Less in terms of plot, more in terms of theme implicit, symptomatic meaning creative, professional state of working in the divine of fantasy and realism. When certain film techniques are repeated, they become conventional. We know what to expect, because we have seen it. If the fil(cid:373) does(cid:374)"t gi(cid:448)e it to us, (cid:449)e (cid:395)uestio(cid:374) (cid:449)h(cid:455) (cid:449)hat"s (cid:271)ehi(cid:374)d the de(cid:272)isio(cid:374) of the filmmaker. Artistic practices that are so recurrent as to prove normative. Ensure the mass legibility of film techniques and practices. Form constitutes parts of a work of art that are ordered in some way. The work of art has a goal. If its very abstract, confusing should(cid:374)"t dis(cid:373)iss, t(cid:396)(cid:455) (cid:373)aki(cid:374)g se(cid:374)se. Creating an argument, say something constructive about it.