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Lecture 13

CIN301Y1 Lecture 13: Suture

by OneClass1104824 , Fall 2017
3 Pages
72 Views

Department
Cinema Studies
Course Code
CIN301Y1
Professor
Kass Banning
Lecture
13

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Elaborations and rebuttals of apparatus theory
Critiques of apparatus theory
Inadequate account of narrative and narration
Inadequate account of heterogeneity of spectator identity
Gender, sexuality, race, class, etc
Inadequate account of historical specificity of technology, texts,
spectatorship practices, and human perceptual-cognitive functions
Recap Metz on cinematic identification
Mirror stage
In psychoanalysis…
Primary processes: how the unconscious deals with the demands
for the satisfaction of drives
Such as the pleasure principle and death drive
Secondary processes: manners of seeking objects outside of the
subject (in the so-called real world) to satisfy needs initiated by
primary processes
Secondary identification: spectator identifies with characters (or
actors)
Primary identification: spectator identifies with “pure act of
perception” produced by the enfolding of spectator’s gaze with that
of (absent) apparatus
Pleasurable experience of visual mastery based upon an
all-seeing, unencumbered gaze produced by submitting to
being mastered and led by gaze of apparatus.
Subject position: transcendental subject
Subject effect: the production of coherent subject (ideologically
docile)
Suture
Surgical term

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Description
Elaborations and rebuttals of apparatus theory Critiques of apparatus theory Inadequate account of narrative and narration Inadequate account of heterogeneity of spectator identity Gender, sexuality, race, class, etc Inadequate account of historical specificity of technology, texts, spectatorship practices, and human perceptual-cognitive functions Recap Metz on cinematic identification Mirror stage In psychoanalysis Primary processes: how the unconscious deals with the demands for the satisfaction of drives Such as the pleasure principle and death drive Secondary processes: manners of seeking objects outside of the subject (in the so-called real world) to satisfy needs initiated by primary processes Secondary identification: spectator identifies with characters (or actors) Primary identification: spectator identifies with pure act of perception produced by the enfolding of spectators gaze with that of (absent) apparatus Pleasurable experience of visual mastery based upon an all-seeing, unencumbered gaze produced by submitting to being mastered and led by gaze of apparatus. Subject position: transcendental subject Subject effect: the production of coherent subject (ideologically docile) Suture Surgical term
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