CIN210H1 Lecture Notes - Lecture 5: Laura Mulvey, Carol J. Clover, Slasher Film
Document Summary
Slasher films and the final girl spatial order: framing plays an essential role in the horror film monster works as a cinematic tool that was pushing the limits boundary. I still know what you did last summer (1998) Laura mulvey visual pleasure and narrative cinema (1975) Jacque lacan"s mirror stage; metz"s concept of identification (camera/character) Identification of pleasure of people on screen idolization (punishment of women) Carol clover, men, women, and chainsaws: gender in the modern horror / film (princeton, nj: princeton university press, 1992): killer. Possessed by psychosexual fury, more particularly a male in gender distress, or from a sick family. *monster (slasher) as insider, * revealed at the end (e. g. , dressed to kill) *emphatic misfits and outsiders: terrible place/interstitial spaces. A point at which we can start thinking about the uncanny (unhomely) and penetration of walls/borders, e. g. , elevator-ability to cross bound since it can stay in-between two level: weapons.