ENG252Y1 Lecture Notes - Lecture 6: Picturesque, Rhetorical Question, Silent Hunter

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26 May 2018
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ENG Letue 
Ending of before tomorrow
Gadas e killig – puts out the lamp
o Act of love?
o No choice?
Powerful example of the effect of colonialism
Emblematic of the hardships of living
He fulfilled his duty to the family, really became a man
Framed in the opening and ending by French and English songs
o Colonial and post-colonial relations?
o Affirms the violence of colonialism
o Allows the non-Inuit viewers to enter and leave the film
Settler Culture/ Writing
How to read them
Synchronically (within their own frame)
Diachronically (through the lens of various time frames, including our own)
Lookig at Caada as a olo
Via the gaze of the old world & that of the new
From the exoticism registered in exploration narratives
To
Settler literature
o As a narrative of domestication (110)
o The otherness perceived re:
o Landscape and people art
o Of the e atios self-imagine
Invader/settler colonialism
In colonial discourse, the term settlers generally refers to Europeans who
move from their country of origin to European colonies
Settler-invader: less than benign implications of this movement with regard
to Indigenous peoples
o They thought there were no people in the land
Two kinds of colonies
Settler (or settler-invader) colonies: those where the invading Europeans (or
their descendants) annihilated, misplaced, or marginalised the indigenous
populations (Canada, Australia)
Colonies of occupation: those where indigenous people remained in majority
but were controlled by the colonialists
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Document Summary

To: settler literature, as a narrative of domestication (110, the otherness perceived re, landscape and people art, of the (cid:894)(cid:374)e(cid:449)(cid:895) (cid:374)atio(cid:374)(cid:859)s self-imagine. Canada as colony: seeing the new world, through the old world gaze, visual metaphors, eyes/scenes/spectacles (214-216, sublime and uncouth (214-215) The (cid:858)(cid:373)otley crew(cid:859: contamination: fear of miscegenation. [enlightenment legacy: herder, miscegenation synonymous with degeneration (217) Irish immigrants constructed as of a diffe(cid:396)e(cid:374)t (cid:862)(cid:396)a(cid:272)e(cid:863)/ as (cid:374)o(cid:374)-white. The picturesque vs the bush: picturesque british, the bush colonial. Ironic, funny and sad that they have to really rough it in the nothingness after being all posh and stuff: the silent hunter talks (225, deer vs. wolves (226, parable of the genteel vs. the wild. Atwood(cid:859)s moodie: self-reflexive appropriation, meta-critical approach [ventriloquism] Intertextuality: a lite(cid:396)a(cid:396)(cid:455) de(cid:448)i(cid:272)e (cid:449)he(cid:396)e(cid:271)(cid:455) a te(cid:454)t(cid:859)s (cid:373)ea(cid:374)i(cid:374)g (cid:396)elies o(cid:374) its (cid:396)elatio(cid:374)ship with another text. Interrelationship between texts: the te(cid:454)t (cid:396)efe(cid:396)e(cid:374)(cid:272)ed does(cid:374)(cid:859)t ha(cid:448)e to (cid:271)e (cid:395)uoted e(cid:454)a(cid:272)tl(cid:455) o(cid:396) ag(cid:396)eed (cid:449)ith, moodie from being a subject/writer/1st person narrator.

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