ENG328Y1 Lecture 34: Lecture 34

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11 May 2018
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Cat in the Rain
Lodge
Poetics of fiction amplify the narratological model
Plot does not often have to be chronological, and it will always have
emissions
You can never give every single detail
Focalizer and verbaliser
Who looks and who talks
Rhetorical analysis
What looks like redundant details are functional
But in Nabokov, they can often be actually redundant
Because we come into a story expecting the details to mean something,
Nabokov breaks the implicit contract between reader and writer
Carlos Baker
Assumes that the cat is the same
Reversal is a happy one
Cat is the object, maid is the subject
For Baker, the reversal isn't ironic
The actual is the irrational yearnings
John Hagopian - Lodge
Cat is the symbol of the wanted child
Man in the rubber cave is a symbol of contraception
Reason why the story can produce such different interpretations is because
the primary action is not the primary vehicle of meaning
Rift between husband and wife but we don't know the reason
Plot of revelation
Minimal at best
Not that there is no plot, but rather that it is an intricate puzzle
Nothing really changes from the beginning to the end
Relationship remains as problematic
Enigma gives way to revelation
Usually we assume the plot will answer the question posed at the start
Rather state of affairs is revealed
Displaying what is there from the beginning
§
Hills like White Elephants
White elephant in the colloquial sense
Emperors giving you a gift of a white elephant is a gift on the surface
but actually makes your life harder
Banal pleasantries seem unnatural and forced
Weight of monotony descending makes the dialogue even more strenuous
More immediately concerned with the girl's anxieties than the man's
euphemisms
American imagines her anxiety is about the operation itself, but she is more
concerned about the future
Incongruous when the girl comments again on the hills looking like white
elephants
Her creativity and youth are in peril in this relationship
Figures of speech have no meaning for him, they are beyond his limited
mindset
Say things like "I don't care about me" but you know goddamn well all he
cares about is himself - nvm it's her
The girl is beginning to gather the tragedy of her situation
Not only unloved, but misunderstood
American offers her everything, but it's unwittingly inappropriate
Moment of lucidity, she is simply seeing her own delusions being
offered back to her
She recoils from this
"I just know things"
Insincerity of her boyfriend
§
The child is the anyone else he doesn't want
The child is the white elephant
As it moves towards it's crisis, no one can reconcile the dilemma
Drama truncated by the obtuseness of the American
Literary cul-de-sac
Nothing has changed in the dialogue except its tone
Would you please please please please please please stop talking
Seemingly reaching an anticlimax but is effectively annulled
Her self deception and his duplicity is revealed
Nothing more to say
Even she knows that there's nothing left to say
He's a slave to convention
No restoration or revolution
The hills may resemble white elephants but they don't have the meaning for
her anymore
Her final words offer little confirmation and less clarity
Possiblity of reversal and recognition
Completely understated subject matter and the nihilism is underhanded
Signs and Symbols - Nabokov
Sign consists of a given slice of sound which is arbitrarily connected with a
slice of meaning
But in symbol, the link between sound and meaning is motivated
Everything for the boy is symbolically motivated
Number of details in which we can find symbolic meaning increases rapidly
Readers attempt to find meaning reinforced by parent's attempt to find a
present
Ten different fruit jellies in ten different jars??
Encryptology is everything - you've got to decipher the signs
But the author doesn’t seem to make any significant overtures to solve the
enigma
Reversal of reader-ly and writerly roles is where the metaphysical irony
is
Emblematic of all searches of meaning
We're trying to build consistencies
Significance of the events that take place around an individual are dependent
on what that individual perceives and believes
Let to us to interpret as we see fit
Invite and refuse interpretation
Not arguing that expectations should be fulfilled predictably, but the
obstacles here overwhelm the meaning
Alien associations
The mother and father are under-readers - they don’t assign significance to
any of the events
The son is an over-reader
The world around him is full of signs and symbols
§
Dense tangle of logically intertwining solutions
§
Everything goes wrong that Friday, you could reasonably assign
significance
Subway loses its life current
§
Foreshadowing of events to come
Half-dead bird helplessly twitching in a puddle under a swaying tree
Unsuccessful attempts to fly out of the puddle parallel the boy's
attempt
The parents don't even see the bird, just like they don't see their son
Passive acceptance of life in the mother
Accepting the loss of one joy after another
Not even joys, mere possibilities of improvement
Amazing coincidence of reaching the same wrong number 3 times
O = 6, 666??
Refraining from seeing significance in the calls is to ignore the signs and
symbols that seek interpretation
Insanity for his over-reading seems like a reasonable enough explanation
Then is not every reader a referential maniac
This is all a joke at our expense
The use of signs and symbols are what allow us to navigate our world
It's what makes us human beings
Ability to alter the metalingual code makes us unique
We make symbols of animals (misuse/use animals)
Craving for unity
We LOVE conspiracy theories
We also like catastrophe theories
Unrelenting search for meaning becomes neurotic at best, psychotic at worst
Sets the story up to make it impossible to tell what is symbolic, accidental,
significant, etc.
Gnostic universe created by an imperfect demiurge
Nihilistic conclusion focalised through the woman's perspective
Everything is meaningless
We are all insane simply by thinking it is not
Lecture 34
Wednesday, February 15, 2017
1:13 PM
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Document Summary

Plot does not often have to be chronological, and it will always have emissions. But in nabokov, they can often be actually redundant. Because we come into a story expecting the details to mean something, Nabokov breaks the implicit contract between reader and writer. Cat is the object, maid is the subject. Cat is the symbol of the wanted child. Man in the rubber cave is a symbol of contraception. Reason why the story can produce such different interpretations is because the primary action is not the primary vehicle of meaning. Rift between husband and wife but we don"t know the reason. Not that there is no plot, but rather that it is an intricate puzzle. Nothing really changes from the beginning to the end. Usually we assume the plot will answer the question posed at the start. Emperors giving you a gift of a white elephant is a gift on the surface but actually makes your life harder.

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