ENG235H1 Lecture Notes - Lecture 2: Detective Comics, Jason Todd, Gouache

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Intense violence in daredevil inspired by japanese comics: stigma attached to violence in fiction; opposition to this (cid:862)o(cid:271)(cid:448)ious that people (cid:449)a(cid:374)t (cid:448)iole(cid:374)(cid:272)e(cid:863, g(cid:396)e(cid:449) to fi(cid:374)d the plotli(cid:374)es of (cid:272)o(cid:373)i(cid:272)s (cid:862)poi(cid:374)tless a(cid:374)d i(cid:396)(cid:396)ele(cid:448)a(cid:374)t(cid:863) Loss of (cid:862)hu(cid:373)a(cid:374) (cid:272)o(cid:374)te(cid:454)t(cid:863) (cid:271)e(cid:272)ause of es(cid:272)alatio(cid:374) of stakes: significant reputation and popularity gives miller leverage to assume huge. The dark knight with respect to the history of batman: opening page of dark knight: wa(cid:455)(cid:374)e"s hel(cid:373)et alludes to bat(cid:373)a(cid:374) Innovations of the dark knight and miller in general: cmyk: a simple coloring palette used in comics. Limited range; suggests cheapness of comics perhaps: miller used gouache coloring; much more subtle, different paneling; fluid narrative with tv screen shape, signaled shift in p. o. v. from omniscient to limited. Technique of graphic transfer: continuity of properties between two images, windowpane shadows evoking prison bars, e. g. matches with the gutter splitti(cid:374)g ha(cid:396)(cid:448)e(cid:455) de(cid:374)t"s fa(cid:272)e (t(cid:449)o-face, gutter and shadow divides faces in same way.

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