ENG329H1 Lecture Notes - Lecture 3: Pat Barker, Thomas Malory, Courtly Love
Document Summary
The pleasure we get from many conceits is intellectual rather than sensuous: no(cid:448)el st(cid:396)esses it(cid:859)s a (cid:374)o(cid:448)el; (cid:455)et u(cid:374)does itself as a (cid:374)o(cid:448)el at the end (the kind of novel you thought you were reading) But why is he doi(cid:374)g this : the way in which atonement engages in its own literary history mcewan likes to be referential. Wh(cid:455) e(cid:374)gage (cid:449)ith the false (cid:449)he(cid:374) the(cid:396)e(cid:859)s so (cid:373)u(cid:272)h t(cid:396)uth around us. So the author has to give the reader something to learn. James wood; writes about fiction and views contemporary novels and is quite pithy and rude: ees ato(cid:374)e(cid:373)e(cid:374)t i(cid:374) si(cid:373)ila(cid:396) te(cid:396)(cid:373)s; ato(cid:374)e(cid:373)e(cid:374)t is a ki(cid:374)d of ato(cid:374)e(cid:373)e(cid:374)t fo(cid:396) fi(cid:272)tio(cid:374)(cid:859)s untruths a defe(cid:374)se of fi(cid:272)tio(cid:374)(cid:859)s u(cid:374)t(cid:396)uths. A (cid:374)o(cid:448)el t(cid:396)ou(cid:271)led (cid:271)(cid:455) fi(cid:272)tio(cid:374)(cid:859)s fictionality its artificiality a(cid:374)d eage(cid:396) to e(cid:454)plo(cid:396)e the (cid:395)uestio(cid:374) of the (cid:374)o(cid:448)el(cid:859)s (cid:396)espo(cid:374)si(cid:271)ilit(cid:455) to t(cid:396)uth : a (cid:374)o(cid:448)el t(cid:396)ou(cid:271)led (cid:271)(cid:455) the fa(cid:272)t that it(cid:859)s a (cid:374)o(cid:448)el.
