INI100H1 Lecture Notes - Continuity Editing, Chicken Wire, Train Whistle
16 Apr 2013
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Date: 23 october 2012: auditory cues, by making a sound mucho louder than the mother, causes or attention. To de ne onscreen space and create off-screen space. To mask cuts (by creating expectations and through sound bridges and dialogue overlap: causing expectations. Agenda: introduction to lm sound, functions of lm sound, fundamentals of lm sound, dimensions of lm sound. Some of the most salient functions of lm sound. To direct the spectator"s attention: selection, alteration, and combination of sound elements. Dimensions of lm sound: rhythm, delity, space (diegetic/nondiegetic, onscreen/offscreen, and internal/external, time (synchronous/asynchronous and simultaneous/non-simultaneous) Music is continuitous, it doesn"t make us ignore the cuts made, but it takes of notice on them. Fundamentals of lm sound: perceptual properties, types of sound: speech, music, and noise (or sound effects, acoustic properties, loudness, pitch, timbre, sound mix. Continuity editing: shot reverse shot, 180 rule, establishment shot, linear continuous time, preestablishment shot, mation action.
