Class Notes (1,100,000)
CA (620,000)
Western (60,000)
CS (1,000)
Lecture

Odyssey - Greek epic (special topics course that wasn't on list)


Department
Classical Studies
Course Code
CS 3612F/G
Professor
Richard Brown

This preview shows pages 1-3. to view the full 12 pages of the document.
Odyssey
Product of the same formulaic tradition as the Iliad
Comes from a very different place
Much more wide ranging in terms of geographical coverage
Has a closer affinity to a more cosmic register
The Iliad explores the human condition from a narrow & focused perspective (i.e. what we
get from the point of view of war/conflict); the Odyssey looks at who we are from the
perspective of a more settled society (more interested in the broader sense of the human
nature; how the human animal makes sense as the human animal)
Opening words
Iliad: wrath/anger
Odyssey: man; maleness = not the nature of people
Odysseus
Chieftain from the Iliad
Has a wife (Penelope) and a son (Telemachos)
Has been disconnected from his world
Poem concerns his voyage back to his home to be who he is
Isolated from human society
Little by little he comes back
Returns to Ithaca as a beggar
Poet reflects on how society works throughout the course of his journey by exploring so
many places & ways of life
Poem comes together during the time of the polis formation
Book I
In the beginning, we see him knocked out of his proper place
Epic poet brings us right into the middle of the story
Begins with conversation between Zeus & Athene (32 onward)
Zeus’ speech = programmatic speech; lays out moral program for the entire poem
General statement about mortals; illustrated by the example of
Agamemnon’s homecoming
Seems to pick up & reject the scene from Iliad-24 where Achilles posits that
Zeus doles out fortunes from one of two jars; the Odyssey says that humans
orchestrate their own suffering through their recklessness (atasthalia = used
of actions/decisions that contradict common sense/divine command & thus
lead to ruin)
Says that humans suffer “beyond what is given” (hyper moron) should be
read “beyond what is fated”
Controversial passage with many questions
View of humans having an impact on their own fate? more
“developed”?
Belief that evil is dispensed independently of the gods
Makes us wonder what Odysseus did to deserve his own suffering
Perhaps he fits the paradigm that Aigisthos has modeled
When he escapes Polyphemus, he sacrifices the ram on which he
escaped to Zeus, in whose name he punished Polyphemus
More accurately translated, the passage says that bad things come from the
gods, AND from our actions
We have the ability to affect our own suffering, but we can only make
it worse, but we can’t make it better

Only pages 1-3 are available for preview. Some parts have been intentionally blurred.

Odyssey
Greeks believed in the Aoroi, spirits that took men from the world
before their time
Suggests an element of flexibility in the worldview
Athene thinks that Odysseus is of a separate category than Aigisthos
Refers to Odysseus as an unhappy man (dysmoros), or an ill-fated man;
however, he hasn’t made his lot worse, so Athene takes charge in trying to
get him home, which is his ultimate fate
Two resolutions emerge from this dialogue
Athene goes to Ithaca to motivate Telemachos
Odysseus has been gone for a long time
Telemachos is now of age, and has his hands full with the suitors trying to
win the hand of Penelope
Social history debate
Perhaps men need to marry the queen in order to acquire kingship
Want to marry Penelope to gain access to wealth
Suitors embody various kinds of bad behaviour
Portrayed as great consumers who give nothing in return; breaks down
the norm of reciprocal obligation that’s vital for Greek society; tested
by the appearance of a beggar (Odysseus in disguise); communal feast
are important scenes that clarify how society is structured
A herald (Hermes) is sent to Calypso’s island
This & the next book take place in Ithaca
First book shows that Odysseus’ oikos is dysfunctional; second book shows that
Ithaca itself is dysfunctional (polis)
When Telemachos travels to Pylos, the first scene is one of a large communal
sacrifice; shows that entire polis is functioning properly
When Telemachos travels to Sparta, he discovers an oikos that is functioning
properly
The poem shows us how human societies work & do not work, and also what kinds of
societies are not human (i.e. Phaiakans)
Odysseus is marooned on Ogygia, the island of Calypso
Book V
Council of the gods
Zeus says that Odysseus must endure hardships to get home, although he will reach home
He will return home after these hardships with more than he would have had if he
came straight home from Troy; evidence for divine favour
Odysseus’ destiny is to come home & see his family again
This destiny is fulfilled by Book 13, although it takes a lot longer for him to
resume his natural position in Ithaca
Calypso
Name means concealer/hider; poem is about revealing Odysseus as himself,
so he must overcome forces that conspire to conceal him (i.e. Calypso, the
sea, disguises, etc.)
Hermes sent to Calypso’s island because the gods want her to let Odysseus go; interesting
dialogue ensues
Anger of Athene was the reason that the Greeks were shipwrecked
Athene was angered because the lesser Aias raped Cassandra on the altar of
Athene
Athene used her father’s thunderbolts to destroy the lesser Aias

Only pages 1-3 are available for preview. Some parts have been intentionally blurred.

Odyssey
Anger of the gods is very blunt; the hubris of one person can affect an entire
village/crew of people; imprecisely directed (in terms of the person or the
time); this view, from a social perspective, will make people more responsible
for their actions because their compatriots will be more watchful & less
tolerant; therefore, Odysseus is due to suffer because of the actions of
another
Calypso’s response to Hermes is typical of Homeric dialogue: repetitive
She saves Odysseus from Zeus’ anger
Odysseus is anxious to get back to his family for reasons that aren’t explicit in the text;
strong tradition of the dangers for mortal men who sleep with goddesses (much less
common than the opposite orientation); Calypso & Circe share these traits, which make
them dangerous
Alcman (ancient Spartan poet) warns not to seek marriage with Aphrodite; Anchises
(father of Aeneas) was terrified when he realized that he slept with Aphrodite,
asking her not to leave him without menos (strength, perhaps literally semen/male
potency)
Odysseus refuses Calypso’s offer to stay because he is the paradigm of human
intelligence; therefore, he obeys the basic human laws (i.e. “know yourself” and “nothing
in excess”); he knows who & what he is, and he knows where he makes sense, which is at
home in Ithaca, not with Calypso
Odysseus was in complete isolation at this time, but the Greeks have a very defined idea
of what humans are supposed to be; Aristotle says that man is a creature of the polis, and
that is where we make most sense; thus, Odysseus acts as a paradigm by wanting to go
home to his polis; wilderness seen as dangerous; in Greek literature, nature always
juxtaposed to human society; thus Calypso’s island, though it offers immortality, would
place Odysseus out of context
Poseidon sends a storm to Odysseus’ raft; the storm is a classic set-piece/type scene;
Odysseus washed up on Phaiakia; he is completely naked (i.e. wild)
Book VI & VII
Phaiakia is a fantasy/supernatural/utopian world; long description of Alkinoos garden is a
way of underscoring the idealization of Phaiakia; therefore, Odysseus refuses to stay
because it is much different than Ithaca, where he is defined
Phaiakians not regular humans for several reasons (i.e. gods appear directly to them, gods
dine with them)
Nausikaa
Type of threat akin to Calypso & Circe; beautiful, engaging, at the age of marriage;
erotic tension arises between Odysseus & Nausikaa
Possessed of modesty/propriety; goes into town separately from Odysseus because
it would be unseemly
Book VIII
Entertainment by the Phaiakians
Consists of athletics & poetry
Court singer of the Phaiakians is Demodokos; may be an epic representation of the
Homeric poet(s)
3 songs by Demodokos
First & last are Homeric in nature; announces a contrast between Achilles &
Odysseus as two types of heroes; becomes more explicit when the two meet in
Hades later on
The last song is of the Trojan horse; note that when the Odyssey refers to the Iliad,
it refers to bits of the story that aren’t in the Iliad; also, these references always
You're Reading a Preview

Unlock to view full version