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Lecture 12

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Department
English
Course
English 1022E
Professor
Lorraine Dicicco
Semester
Fall

Description
Eng1020E October 25, 2011 Lecture 12 TOPIC The Tempest  Reflects tension between politics and art/magic (right down to the setting of the play).  Meta-theatre – a play about the making of theatre (Prospero is like the stage director). Human Society  What is an ideal human society? What does this place say about human society?  Caliban o One man alone on the island conquered by Prospero. o An ambiguous character. It is impossible to know someone unless one comes in from the outside. Thus the only way the reader sees Caliban is through the eyes of the other –the European.  From this European view, Caliban is looked at as a savage (358).  He is also called (Act II Scene II Line 138) a monster by Trinculo and Stephano. In the Great Chain of Being, Caliban is the lowest – a monster and savage being.  Act IV Scene I: Prospero calls him a “born devil.” o Caliban was originally a friend of Prospero‟s when Prospero came to the island. It begins as a loving relationship when Caliban showed his now-master everything there was to know about the island. However the relationship between the natural man and the European man dissolves and becomes one of authority and abuse. o The change in their relationship was initiated by Caliban‟s attempt to rape Prospero‟s daughter. Prospero defends his daughter‟s rights and purity, and is offended. What is natural to Caliban is not natural to Prospero. o It has now become a slave vs. master relationship. The power hierarchy thus manifested itself. (Caliban is called the abhorred slave by Miranda.) o Caliban is seen as morally depraved (unable to know right from wrong). o It is instinctive to resist tyranny. It is natural for one (Caliban) to resist conquering and to reach out to one more powerful than the tyranny. In this case this stronger person is Stephano (a drunken idiot; a servant to the lords at home; low on the hierarchy). However, all that Caliban sees is that Stephano is white – and worships him. o What it says about the native character: he is naïve, animalistic and childlike. o Even now, society justifies killing them off by regarding them as demon-like, savage, and animalistic. o Prospero has turned Caliban from the lord of his own island, to his own personal slave. “I have used thee filth as thou art? I have treated thee with utmost care. Until you violated my daughter.” o He was viewed as a noble savage (and the natives of the past are still viewed as noble savages today). This refers to the fact that they are not formally educated, but are now familiar with the ways of the Europeans as well as the oneness with nature and understanding of the earth. o Act II Scene II Line 160: “Let me bring thee where crabs grow…” References to the abundance of the earth. Caliban is determined to help his “god” o Act III Scene II Line 130: The noble savage is sensitive to nature‟s beauty. Caliban admits that the island is full of noises. He eludes to the music and voices of the island. “That when I waked, I cried to dream again.” It is like a dream being on this island – he‟d rather not wake up. While Caliban is a “devil monster” (according to the Europeans) he is also a “noble savage.” o Stephano‟s initial plan when he sees Caliban is to take him back to England to be displayed as a freak and spectacle from the new world. He makes it clear that people will pay big money to see the noble savage.  The play is an act of European colonization.  Arrival of the Europeans o Act II Scene I: The King fears he has lost his son, and Gonzalo is portrayed as an optimistic character (although we have lost a lot, look at all that we have gained). o No man is alone – we must live in communities. What is the perfect commonwealth (group of people that constitute a nation or state)? Gonzalo believes that everything should be shared equally and everyone has the right to a
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