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Class Notes (1,033,079)
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Western (57,596)
Film Studies 1022 (86)

Class Notes for Film Studies 1022 at Western University

Introduction To Film Studies

Exam Study Guides for Film Studies 1022

Covers all exam topics.

Film Studies 1022 Lecture Notes - Lecture 13: Metanarrative

find more resources at oneclass.com FILM LECTURE NOTES MARCH 5 Ararat Imagined political community something manufactured, constructed through stories language is crucial, being able to...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 12: Non-Resident Indian And Person Of Indian Origin, Simran, Family Values

find more resources at oneclass.com FILM LECTURE NOTES FEBRUARY 27 Bollywood- Indias version of Hollywood Film is meant to reach out to Indians who dont live in india Diaspora- the sc...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 11: Bamboozled, La Croix, Neocolonialism

find more resources at oneclass.com FILM LECTURE NOTES FEBRUARY 5 The logic of racism and spike lees bamboozled Construction of African-american identity through entertainment culture H...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 10: Commodity Fetishism, False Consciousness, Product Placement

find more resources at oneclass.com FILM LECTURE NOTES JANUARY 23 Movies can be ambiguous supportive or critical of dominant ideology, and these can be explicit or implicit What structu...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 9: House Un-American Activities Committee, Mutual Assured Destruction, Nuclear Arms Race

find more resources at oneclass.com FILM LECTURE NOTES JANUARY 15 Invasion of the body snatchers Cold war Nuclear arms race Mutual assured destruction Red score Mccarthyism HUAC (house...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 7: Chappaquiddick Incident, Voyeurism

find more resources at oneclass.com FILM LECTURE NOTES NOV 14 The movie they are working on is a loose reference to psycho, were watching a rough edit The unedited scream doesnt match ...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 5: Soviet Montage Theory, Establishing Shot

FILM LECTURE NOTES NOV 6 Breathless: The French new wave- cool and new in its time most innovative, most experimental inspired all the other new waves around the world evolved film critics, fans writing of film, publishing...

Film Studies
Film Studies 1022
Zoran Maric
Film Studies 1022 Lecture Notes - Lecture 10: Soviet Montage Theory, The Limey, Continuity Editing

Continuity: more passive, entertainment - Also means more politically submissive - Influences spectators w/o spectators being aware theyre being influenced Discontinuity: Editing invited us to participate, ...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture Notes - Lecture 9: Mise-En-Scène, Long Shot, Lightdark

EDITING: the task of selecting and joining camera takes - The set of techniques that governs relations among shots Cut: An instantaneous change from one shot to another - Joining of two film strips together w splice (old d...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture Notes - Lecture 8: Intertextuality, Gnosticism, Tonality
Premium

10312018 Film Week 78 - Google Docs Film 1022 Lecture Notes Week 7 Rebel Without a Cause (Nicholas Ray, 1955) What meanings can we draw from Rebel Without a Cause? Troubled youth, finding friendship How does the narrative ...

Film Studies
Film Studies 1022
Michael Raine
Film Studies 1022 Lecture Notes - Lecture 6: Frame Story, Totalitarianism, Fourth Wall

COGNITIVE MAP FIRST 2 STILLS MIS EN SCENE - Keys - Keys, different time periods, time and preserving history - Ex. Hotel Lutz tribute to the customers at the hotel - Keys, represents various stories - Are more vibrant, the...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture Notes - Lecture 7: Film Stock, Tonality, Lowkey

THE SHOT: CINEMATOGRAPHY ( 160 194) 1) RANGE OF TONALITIES Contrast: the comparative difference between the darkest and lightest areas of the frame - Higher contrast image: bright white contrast displays bright white areas...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture Notes - Lecture 5: Mise-En-Scène, Hearse, Committee For Accuracy In Middle East Reporting In America

STYLE The repeated uses of film techniques characteristic of a single film or a group of films Cinematography: A general term for all the manipulations of the film strip by the camera in the shooting phase and by the labor...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture Notes - Lecture 4: Classical Hollywood Cinema, Diegesis, Heteronormativity

TEXTBOOK READINGS Ch. 3 (pg. 72 - 99) Narrative A chain of events linked by cause and effect and occurring in time and space (there needs to be context) - Narration: the plots way of distributing story inf...

Film Studies
Film Studies 1022
Barbara Bruce
Film Studies 1022 Lecture 3: Animated Film, Semiology

TEXTBOOK READING The animated film - Drawn animation = oldest type of animated film, these were physical drawings which were then photographed as cartoon images - 1910s cel animation - Clear rectangular sheets called cellu...

Film Studies
Film Studies 1022
Barbara Bruce

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