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Sept 20 Readings:Classnotes Theory.odt

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Department
Music
Course
Music 1649A/B
Professor
Kevin Mooney
Semester
Fall

Description
September 20 Readings/Class Notes – Theory Second-Species Counterpoint – Possibility of dissonance on weak beats – must be on the weak parts, and must be passing – approached by step eg. 3-4, 6-7 th – Octave between two parts is ideal, a 10 maximum if needed – Passing tones on strong beats and neighbouring tones not permitted – Know how to do error detection. – Perfect 5 , Major 6 , 8va to end it. Phrygian mode – Josquin de Prez Baroque Period – Beginning of opera – New texture – melody on top, beneath is a basso continuo that provides support – keyboard instrument, lute – may just be a bass line. The middle part may not be specifically – may be suggested with numbers under the basso continuo – instruct the performer as to what chords to provide above the basso continuo Agostina Agazzari (1578-1640) – beginning of the 17 century – Basso c
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