FS101 Lecture Notes - Lecture 5: Silent Film, Diegesis, Counterpoint
Document Summary
Sound theory: silent era 1895 1927 (accompanied by piano or orchestra) Problems: ampliicaion and synchronizaion: transiion to sound 1927 1930, sound era 1930 today. Soundtrack components: dialogue: text (in script), subtext (implicit meaning) Adr: automated dialogue replacement (loop: sound efects, fidelity: degree to which a sound is matched appropriately to onscreen apparent source, foley: art of matching live sound efects to the acion of the picture, music. Leitmoif: reoccurring musical phrase (associated with person, place, or thing) Relaionship between sound & image: diegeic/ non-diegeic. In story world vs. not in story world. 2: external (objecive, comes from physical source) / internal (subjecive, comes from mind of character, simultaneous (same ime in story) / non simultaneous (doesn"t match screen, parallel / counterpoint. Rhythm and mood of image and sound are aligned or contrasted.
