KS210 Lecture Notes - Lecture 11: Paul Gilroy, Rude Boy, Rastafari
Document Summary
According to stephens, in the years sincee his death marley"s cultural capital in north. Which compilation record does stephens use as the basis of her early analysis of. Which of the following is not one of the representations of bob marley explored by. Michelle stephens" article traces the way bob marley"s image has been: softened. The marley of the 1970s, rude boy, revolutionary, rastafarian needed be __________ for the singer to appeal to a more mainstream white audience exorcised. Marley"s legacy was wiped clean from any embarrassing political residues that might take him into threatening or frightening gure (gilroy 2005, 227) Marley was refashioned as a patron saint of soccer, ganja, and rasta machismo (gilroy, 42) According to stephens" article, the fact that marley"s black american audience was small: enhanced his popularity among audiences. Performers like public enemy and nwa threaten to dismantle the liberal myth that the cultural function of black music is to: promote racial harmony.
