EN 1001 Lecture Notes - Lecture 10: Carl Jung, Mimesis

• School: York University
• Department: English
• Course: EN 1001
• Professor: Phyllis Rozendal

Document Summary

Agenda: - writing the draft of your final essay, - goodnight desdemona/good morning juliet. Writing the comparison essay draft: plunge in (skip intro, conside(cid:418) (cid:282)oth simila(cid:418)ities and di(cid:321)(cid:321)e(cid:418)en(cid:283)es, (cid:282)ut don(cid:1852)t simply list them, ans(cid:476)e(cid:418) the (cid:1851)so (cid:476)hat(cid:1852) (cid:417)uestion, methods of organising a comparison: Title: the role of othello in othello & gdgj. Text 1 othello: as tragic hero, as ia(cid:322)o(cid:1852)s alter ego. Issue 1 othello as tragic hero: othello, goodni(cid:322)ht desdemona . Issue 2 othello as alter ego: othello, goodnight desdemona Postmode(cid:418)n metad(cid:418)ama: ann ma(cid:418)ie m(cid:283)donald(cid:1852)s goodni(cid:322)ht desdemona/good morning juliet: The title su(cid:322)(cid:322)ests 2 o(cid:321) shakespea(cid:418)(cid:1852)s (cid:321)amous plays. I metadrama: de(cid:321)inition: (cid:1849)d(cid:418)ama a(cid:282)out d(cid:418)ama, o(cid:418) any moment o(cid:321) sel(cid:321)-conciousness by which a play draws attention to its own fictional status as a theatrical p(cid:418)eten(cid:283)e(cid:1850) (cid:1827)baldi(cid:283)k(cid:1828) Any moment (cid:476)hen the play talks a(cid:282)out itsel(cid:321) as a (cid:1851)play(cid:1852: metadramatic elements in plays of the past: prologues, plays within the play, iago in othello.