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FILM 1400 (35)
Lecture

FILM 1400 April 13.doc
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Department
Film
Course
FILM 1400
Professor
Tess Takahashi
Semester
Winter

Description
FILM 1400 April 13, 2009 Peter Wollen on Godard as Counter-cinema 1. Narrative Transitivity/ Intransitivity (instead of one thing following another, there are gaps and interruptions, episodic structre) 2. Identification. Estrangement (instead of empathy and emotional involvement with characters, there is direct address, multiple and divided characters commentary to camera) 3. Transparency/ Foregrounding (instead of not calling attention to its construction, the film makes the structures of the film/
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