MUSI 1530 Lecture Notes - Lecture 6: Ipanema, Polka, Vernon And Irene Castle
13 Sep 2017
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This landscape is always in motion, always evolving. Wonder, barbra streisand, steely dan, and paul simon during the 1970s: recording engineers, producers, arrangers, and record labels may also develop unique soundprints. (1) the distinctive slap-back echo of elvis presley"s early recordings on sun. Records (2) the quasisymphonic teen pop recordings produced by phil spector (3) the stripped-down, back to basics soul sound of stax records in memphis (4) the sampled bass drum explosions used by engineer steve ett of chung house of. Better, time: old forms of musical hardware and software music boxes, player pianos, phonographs, sheet music, 78s, 45s, and lps become the basis for subcultures made up of avid collectors. This process typically involved a complex network of people and institutions: the composer and lyricist, who wrote a song, the publishing company, which bought the rights to it. United states and elsewhere consider quintessentially american have not profited from the fruits of their labor.
